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RENÉE FLEMING…SHE CAME, SHE SANG, SHE CONQUERED

Renée Fleming was recently on a short tour of South Africa, and as luck would have it, I was in Johannesburg on the weekend she sang in Pretoria at the Opera House.  The two cities are less than an hour apart by car, and I’m sure that at least half the audience drove from Johannesburg and its surroundings.  She performed with the 71 piece Kwazulu Natal Orchestra, with William Eddins (currently Music Director of the Edmonton Symphony) at the helm.  Both she and Maestro Eddins had appeared in Pretoria before in the early 1980’s when they entered the UNISA Competition.  So this was a somewhat sentimental return.

Ms. Fleming looked and sounded radiant.  She held her audience in thrall from beginning to end.  The orchestra sounded really good, and she had a wonderful choir of local singers on stage with her.  In the final of her four encores she introduced two young tenors who performed Verdi’s “drinking” song with her. The audience went nuts.  She then moved on to Cape Town the next morning and I ended up sitting across the aisle from her in the plane.  I gather that in each of the cities in which she performed she had a chorus of local singers, and she also told me that she had been enormously impressed with the four young students that she had heard in a Master Class in Pretoria.

I didn’t attend the Cape Town performance but the city was abuzz with talk of Renée Fleming.  Apparently all three of her performances (one in Durban, one in Pretoria and one in Cape Town) all sold out within 24 hours of the tickets being put on sale.

A dedication to die over!

When Javier Perianes dedicated his first encore to me (Chopin Nocturne in c sharp minor, Op. 20) at the Vancouver Playhouse I was rendered speechless for at least 20 minutes. What an extraordinarily wonderful thing to have happened.

There’s actually a story behind Perianes and that Nocturne.  This goes back about three years.  I had been dealing with a London Management to book a date for the young Finnish pianist, Juho Pohjonen (on the recommendation of Andras Schiff).  The particular manager with whom I was making the arrangements sent me an email telling me that he had just added another pianist to his roster and he thought that I would really like his playing.  He asked “shall I send you a CD?”….to which I replied “no, not yet, as my season is already fully booked”.  “Wait a couple of months” I said.  He then sent me an email by return which said “oops, I already put it in the mail”.

Of course, I didn’t have the willpower not to open it when it arrived and I put it on.  The Nocturne was the first piece on the CD, and it caused a major stir in the office.  Next thing, before even listening to the rest of the CD, I was frantically trying to fit him in the series for the following year.  I can’t remember displacing anyone, so maybe we just added another concert.  Oh, and because all the literature on the CD was in Spanish I went over to CBC where Gloria Macarenko translated for me.

So now Javier has appeared twice, and hopefully before long, we’ll have him back.

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