Tag: Benjamin Grosvenor

  • PROGRAM NOTES: BENJAMIN GROSVENOR

    PROGRAM NOTES: BENJAMIN GROSVENOR

    Jean-Philippe Rameau Gavotte and Variations in A minor The modern pianist seeking to play the Baroque harpsichord repertoire faces many obstacles, starting with the friendly fire of his own trusty Steinway itself, so different in sound from the perky little plucked-string sound box for which this music was originally written. A note on the harpsichord…

  • PROGRAM NOTES: BENJAMIN GROSVENOR

    PROGRAM NOTES: BENJAMIN GROSVENOR

    Robert Schumann Arabesque, Op. 18 In the autumn of 1838 Robert Schumann made a career decision. He would move from his native Leipzig to Vienna to find a publisher and a sympathetic public for his piano compositions. The public he hoped to attract in his year in the Austrian capital was a public of the…

  • PROGRAM NOTES: BENJAMIN GROSVENOR

    PROGRAM NOTES: BENJAMIN GROSVENOR

    Jean-Philippe Rameau Gavotte and Variations in A minor The modern pianist seeking to play the Baroque harpsichord repertoire faces many obstacles, starting with the friendly fire of his own trusty Steinway itself, so different in sound from the perky little plucked-string sound box for which this music was originally written. A note on the harpsichord…

  • PROGRAM NOTES: BENJAMIN GROSVENOR

    PROGRAM NOTES: BENJAMIN GROSVENOR

    J. S. Bach: Five transcriptions Benjamin Grosvenor opens his program with a series of piano transcriptions, a genre that was wildly popular in the late nineteenth and early twentieth centuries, then went out of fashion, and is now making something of a comeback. Transcription – the transferal from one medium to another – is as…