Tag: Vancouver Playhouse
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PROGRAM NOTES: ALBAN GERHARDT & STEVEN OSBORNE
Johann Sebastian Bach Cello Suite No. 2 in D minor BWV 1008 The instrumental suite, with its predictable allemande-courante-sarabande-gigue sequence of dances and its un-predictable addition of various galanteries (minuets, bourrées, gavottes, etc.), was a staple of the Baroque. Arising from neither of the period’s two great wellsprings of musical emotion – religious piety and…
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PROGRAM NOTES: THE VERONA QUARTET
Franz Joseph Haydn Quartet in B at major Op. 50 No. 1 The art music of Western Europe underwent a period of transition in the mid- 18th century as the thickly embroiled scores of the Baroque, with their long spun-out melodic lines and constant harmonic churn, gradually yielded to the clearer textures, symmetrical phrases and slower…
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PROGRAM NOTES: FLORIAN BOESCH AND MIAH PERSSON
The Songs of Robert Schumann Robert Schumann was a composer steeped in literature. His compositions bear the dual imprint of both German musical and literary Romanticism. Literature was the family business, one might say, as his father, August Schumann, was both a publisher and a bookseller in Zwickau, Saxony, where the composer grew up. He…
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PROGRAM NOTES: BENJAMIN BEILMAN & YEKWON SUNWOO
Franz Schubert Sonata in A major D574 The adolescent Schubert was a busy young man indeed. Fresh from single-handedly inventing the 19th-century German art song (the Lied) at the tender age of 17, he subsequently developed a teenage crush on the violin which in the space of 18 months moved him to compose no less…
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PROGRAM NOTES: DOVER QUARTET & AVI AVITAL
Sulkhan Tsintsadze Six Miniatures for String Quartet and Mandolin (arr. Ohan Ben-Ari) The Soviets promoted the ideal of music rooted in the traditions of their native soil and in this regard it would be hard to find a composer more congenial to Soviet ideals than Sulkhan Tsintsadze, one of the leading composers of the Soviet…
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PROGRAM NOTES: WINTERLUDE – SUPER SUNDAY WITH JEAN-GUIHEN QUEYRAS & ALEXANDER MELNIKOV
Robert Schumann Fünf Stücke im Volkston Op. 102 The late 1840s saw Schumann take up “house music” in a big way. This does not mean that he began to DJ at raves, playing dance music with repetitive drum tracks and synthesized basslines. Rather, he had a productive period composing music specifically designed for the home…
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PROGRAM NOTES: WINTERLUDE – SUPER SUNDAY WITH ALEXANDER MELNIKOV
Sergei Rachmaninoff Variations on a Theme of Chopin Op. 22 Chopin’s funereal, passacaglia-like Prelude in C minor from his collection of 24 Preludes Op. 28 provides the theme for Rachmaninoff’s first large-scale work for solo piano, his Variations on a Theme of Chopin, completed in 1903. Taking as his point of departure the prelude’s hymn-like…
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PROGRAM NOTES: ANNA FEDOROVA
Wolfgang Amadeus Mozart Fantasia in D minor K. 397 Mozart’s D minor Fantasia is a bundle of mysteries; an intriguing sound-puzzle for the listener but a labyrinthine minefield of interpretive choices for the pianist. Mere slavish attention to the details of the printed score—the motto and creed of historically informed pianism—risks missing the point entirely in a…
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PROGRAM NOTES: ISTVÁN VÁRDAI
Felix Mendelssohn Variations Concertantes Op. 17 Felix was not the only musician in the Mendelssohn family. His older sister Fanny Mendelssohn Hensel (1805-1847) was a prodigiously talented pianist and composer, although she chose marriage over a public career, and his younger brother Paul Mendelssohn (1812-1874) was no slouch as a cellist, to judge by the…
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PROGRAM NOTES: THE DANISH STRING QUARTET
Johann Sebastian Bach Well-Tempered Clavier II Fugue No. 7 in E-flat major BWV 876 (arr. Mozart) In 1782 Mozart’s patron, Baron Gottfried van Swieten, showed the composer a number of manuscripts of the works of Johann Sebastian Bach and encouraged him to make string arrangements for performance at the Baron’s regular series of Sunday afternoon…
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PROGRAM NOTES: KSENIJA SIDOROVA
The Concert Accordion Early Beginnings The accordion has for centuries been associated with music of a light or popular nature. Its portability, full harmonic texture and penetrating, reedy timbre have made it the ideal mini-orchestra for country dances and the perfect one-man house band for city cafés and music halls. The very sound of…
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PROGRAM NOTES: NAREK HAKHNAZARYAN
César Franck: Sonata in A major For most of his life, Franck led a relatively quiet existence as an organist and pedagogue, emerging from obscurity as a composer only near the end of his life. His only violin sonata (which has also been arranged for numerous other instruments, notably flute, viola and cello) was created…
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PROGRAM NOTES: ERIC OWENS, BASS-BARITONE
Eric Owens’ recital divides neatly into two halves – a German half and a French half, with the final song a true rarity that bridges the geographical and cultural divide. The German songs (Lieder) all tend to be of a dark, serious or melancholic nature, while the French songs (mélodies) are lighter, even airy and…
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SOME THOUGHTS ON OUR UPCOMING 12-13 SEASON
Today we want to share with you a few thoughts and facts about our recently announced 2012-2013 season: UP FIRST: On October 5 András Schiff will open the 33rd season with an all-Bach program. In fact, András was one of the first artists who launched the Vancouver Recital Society in 1981. Like so many…
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SAFEGUARDING THE ARTS IN VANCOUVER
By now, many of you have heard the sad news that the Playhouse Theatre Company commenced to wind down operations as of March 10. On the preceding day, Leila and I attended the announcement, which could only be described as a wake for a departed loved-one. An unusual silence fell over the assembled group…
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PROGRAM NOTES: ELIAS STRING QUARTET
Wolfgang Amadeus Mozart: String Quartet no. 18 in A major, K. 464 This is the fifth of the six “Haydn” quartets – everyone a masterpiece – that Mozart wrote in the mid-1780s. The identification with Haydn derives from the older composer’s direct influence on his colleague in the matter of string quartet writing. Specific elements…
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PROGRAM NOTES: TINE THING HELSETH
Tine Thing Helseth, trumpet Havard Gimse, piano Next Generation Series at The Vancouver Playhouse Sunday, February 5, 2012 Bohuslav Martinů: Sonatina for Trumpet and Piano Bohuslav Martinů followed in the footsteps of his compatriots Dvořák, Smetana, Janáček and Suk in the incorporation of elements from Bohemian and Moravian folk music into his works. Martinů was…
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PROGRAM NOTES: GEORGE LI
George Li Program Notes Performance: Vancouver Playhouse, Sunday, December 4, 2011 Carl Czerny Variations on a Theme by Rode, Op. 33 (“La Ricordanza”) Most concertgoers know Carl Czerny only as the early nineteenth-century pedagogue who churned out endless dull exercises that continue to be inflicted upon piano students this day. True, he did compose a…
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THE REMARKABLE CAREER OF GEORGE LI
And what a career it has been for this 15 year old pianist! George Li began winning competitions at age 6 and he made is first public performance at Boston Steinway Hall at the age of nine. One of his biggest achievements came in 2010 when he performed Chopin’s Piano Concerto no. 1 with the…
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GETTING TO KNOW: JUHO POHJONEN
“I receive something valuable through music – and I hope that each listener will feel that they have too.” On his music education: “I started to play violin in a children’s music school at the age of two-and-a-half. My brother – now also a professional pianist and a composer – was already studying piano at…
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A PASSING THOUGHT
Our 32nd season opened this past Sunday with the Russian-born, Israeli-based pianist Boris Giltburg. He may be young (27 years), and he may not be a household name, but he left no doubt he is an artist to watch. The buzz in the lobby at intermission was great: one woman described to me his ‘magic fingers’…