Tag: Wolfgang Amadeus Mozart

  • PROGRAM NOTES: PAVEL KOLESNIKOV

    PROGRAM NOTES: PAVEL KOLESNIKOV

    Wolfgang Amadeus Mozart Fantasy in C minor K. 475 The year 1785 was a good one for Mozart. In the words of musicologist John Irving, he had become something of a ‘hot property’ in Vienna, enjoying considerable success both as a published composer and as a performing musician. But Mozart had also acquired a reputation…

  • PROGRAM NOTES: THE VERTAVO STRING QUARTET & PAUL LEWIS

    PROGRAM NOTES: THE VERTAVO STRING QUARTET & PAUL LEWIS

    Wolfgang Amadeus Mozart Piano Concerto No. 12 in A major K. 414 Mozart’s twelfth piano concerto was one of three composed in 1782 for sale to the Viennese public by advance subscription, the 18th-century equivalent 
of ‘crowd-sourcing’. A major selling point of these ‘subscription’ concertos (K. 413, 414 & 415) was that they were composed…

  • PROGRAM NOTES: LUCA PISARONI & WOLFRAM RIEGER

    PROGRAM NOTES: LUCA PISARONI & WOLFRAM RIEGER

    Wolfgang Amadeus Mozart Four Songs The earliest German lieder we have in the concert repertoire come from the more than 30 works that Mozart wrote between 1768 (at the age of twelve!) and his death in 1791. His mature songs reflect his skill as
an opera composer in their sensitive treatment of the text, bolstered by…

  • PROGRAM NOTES: VILDE FRANG

    PROGRAM NOTES: VILDE FRANG

      Felix Mendelssohn: Violin Sonata in F major Mendelssohn’s E minor Violin Concerto is such an established pillar of the standard repertory that it comes as a surprise to learn that this composer also wrote three sonatas for the instrument, although these are as obscure as the concerto is popular. The first, in F major,…

  • A LETTER FROM ANTHONY ROTH COSTANZO

    A LETTER FROM ANTHONY ROTH COSTANZO

    As I enter my 20th year of professional performance, I have been reflecting on the most resonant musical moments throughout my development as a singer. From my beginning as a Broadway baby to my now daily dances with Handel, I have realized that there is a lot of music in between those two poles which…

  • PROGRAM NOTES: ANTHONY ROTH COSTANZO

    PROGRAM NOTES: ANTHONY ROTH COSTANZO

      Henri Duparc was, with Berlioz and Fauré, among the pioneers of la mélodie (the French art song, as distinguished from folk song). His career was remarkable in that although he lived for 85 years, his reputation rests on barely more than a dozen songs. “Chanson triste” was Duparc’s first song, written at the age…