Year: 2016

Sonata in C minor D958 Of the three last sonatas Schubert wrote just before his death in 1828, it is the Sonata in C minor that most reveals him as Beethovenian, not just in his choice of key, synonymous with Beethoven’s most turbulent musical thoughts, but more tellingly in the restless energy and propulsive forward…

The age of the German lied, an art-song for solo voice with piano accompaniment, extends from the first songs of Schubert (1814) to the last songs of Hugo Wolf (1897). Its emergence in the early part of the 19th century was strongly influenced by literary Romanticism, and it is not a coincidence that lyric poems…

Franz Joseph Haydn Piano Trio in F sharp minor, Hob. XV/26 Haydn’s piano trios are really just accompanied piano sonatas, with the cello doubling the bass line and the violin the melody on top. Such a stylistically regressive texture, so unlike the string quartet’s ideal of conversation between musical equals, nevertheless had its advantages. As…

Bach: Prelude and Fugue No. 1 in C major, BWV 870 Among the chores assigned to the prelude in the time of Bach were those of catching the listener’s attention, establishing the tonality of the following (presumably more important) piece, and in the process, warming up the player’s hands with a bit of free-form noodling.…

Robert Schumann Piano Trio No. 2 in F major, Op. 80 Robert Schumann began composing in the 1830s, a time when the formation of a canon of great musical works was just beginning, thanks to new publications of older music and to concerts of ‘historical’ or ‘antique’ music such as Mendelssohn’s famous performance of Bach…

Johann Sebastian Bach Partita No. 4 in D major, BWV 828 The Baroque suite was the iPod shuffle of its time. It was a colourful bowl of musical Smarties with a cosmopolitan flavour, offering a collection of dances from all the major musical nations of Europe: the moderately-paced allemande from Germany, the much animated courante from France…

Franz Joseph Haydn Sonata No. 62 in E flat major, Hob. XVI:52 Joseph Haydn wrote his last three piano sonatas on his second visit to England (1794-95), keenly aware that the sound of the English piano was very different from that of its Viennese counterpart. Viennese pianos were quick and responsive but their sound, like…

Wolfgang Amadeus Mozart Sonata in B flat major K. 570 The period of the 1770s and 1780s brought regime change to the world of keyboard music as the harpsichord was gradually edged out by the first generation of fortepianos, capable of playing both loud (forte) and soft (piano) on the same set of keys. The…