Author: VRS

  • PROGRAM NOTES: ALBAN GERHARDT & STEVEN OSBORNE

    PROGRAM NOTES: ALBAN GERHARDT & STEVEN OSBORNE

    Johann Sebastian Bach Cello Suite No. 2 in D minor BWV 1008 The instrumental suite, with its predictable allemande-courante-sarabande-gigue sequence of dances and its un-predictable addition of various galanteries (minuets, bourrées, gavottes, etc.), was a staple of the Baroque. Arising from neither of the period’s two great wellsprings of musical emotion – religious piety and…

  • PROGRAM NOTES: GEORGE LI

    PROGRAM NOTES: GEORGE LI

    Franz Joseph Haydn Sonata in B minor Hob. XVI:32 It is not often that you catch the congenial, ever-chipper Haydn writing in
a minor key. But minor keys were all the rage in the 1770s, the age of Sturm und Drang (storm and stress), an age when composers such as C. P. E. Bach sought to…

  • PROGRAM NOTES: ZHANG ZUO

    PROGRAM NOTES: ZHANG ZUO

    Ludwig van Beethoven 32 Variations in C minor WoO 80 The theme that Beethoven chose for his 32 Variations in C minor (1806) has a Baroque feel to it, with its chaconne-like harmonic pattern in the left hand and sarabande-like second-beat emphasis in the right. This theme, however, is far from the characterless blank canvas…

  • PROGRAM NOTES: YEKWON SUNWOO

    PROGRAM NOTES: YEKWON SUNWOO

    Franz Schubert Sonata in C minor D 958 Schubert’s unabashed admiration for Beethoven is vividly on display in the opening bars of his Sonata in C minor D 958, composed in September 1828, shortly before his death. Schubert had served as a pallbearer at Beethoven’s funeral the year before, and his own death from tertiary…

  • PROGRAM NOTES: THE VERONA QUARTET

    PROGRAM NOTES: THE VERONA QUARTET

    Franz Joseph Haydn Quartet in B at major Op. 50 No. 1 The art music of Western Europe underwent a period of transition in the mid- 18th century as the thickly embroiled scores of the Baroque, with their long spun-out melodic lines and constant harmonic churn, gradually yielded to the clearer textures, symmetrical phrases and slower…

  • A CHANGE TO OUR FIRST CONCERT IN THE 2017-18 SEASON

    A CHANGE TO OUR FIRST CONCERT IN THE 2017-18 SEASON

    The Simón Bolívar String Quartet’s scheduled performance at the Vancouver Playhouse on September 17 has been postponed to a future season. The current volatile and violent situation in Venezuela, which has heightened following last week’s election, has made it almost impossible for the quartet to navigate around Caracas to make arrangements for their North American tour.…

  • PROGRAM NOTES: BENJAMIN GROSVENOR

    PROGRAM NOTES: BENJAMIN GROSVENOR

    Robert Schumann Arabesque, Op. 18 In the autumn of 1838 Robert Schumann made a career decision. He would move from his native Leipzig to Vienna to find a publisher and a sympathetic public for his piano compositions. The public he hoped to attract in his year in the Austrian capital was a public of the…

  • PROGRAM NOTES: JAVIER PERIANES

    PROGRAM NOTES: JAVIER PERIANES

    Franz Schubert Piano Sonata in A Major D 664 The salubrious effects of country air on the mind and spirits of the vacationing composer are well known. Witness Schubert’s wonderfully relaxed and lyrical Sonata in A Major D 664 composed in 1819 during a summer sojourn in Steyr, a riverside provincial town set amid the…

  • PROGRAM NOTES: MURRAY PERAHIA

    PROGRAM NOTES: MURRAY PERAHIA

    Johann Sebastian Bach French Suite No. 6 in E Major BWV 817 The spirit of the dance can be felt across a wide range of Bach’s works, from the fugues of the Well-Tempered Clavier to the Mass in B minor. For Bach lovers with toes eager to tap, then, an entire suite of dance pieces…

  • VRS 2017-18 SEASON BROCHURE