Category: 14-15 Season

  • PROGRAM NOTES: DORIC STRING QUARTET

    PROGRAM NOTES: DORIC STRING QUARTET

    FRANZ JOSEPH HAYDN String Quartet in D minor, Op. 76, No. 2 Those of us wondering in our spare moments what a happy retirement consists of might do well to consider the case of one Franz Joseph Haydn, whose life in the years 1796-97, when his collection of six string quartets Op. 76 was written,…

  • PROGRAM NOTES: PAVEL KOLESNIKOV

    PROGRAM NOTES: PAVEL KOLESNIKOV

    Wolfgang Amadeus Mozart Fantasy in C minor K. 475 The year 1785 was a good one for Mozart. In the words of musicologist John Irving, he had become something of a ‘hot property’ in Vienna, enjoying considerable success both as a published composer and as a performing musician. But Mozart had also acquired a reputation…

  • PROGRAM NOTES: THE VERTAVO STRING QUARTET & PAUL LEWIS

    PROGRAM NOTES: THE VERTAVO STRING QUARTET & PAUL LEWIS

    Wolfgang Amadeus Mozart Piano Concerto No. 12 in A major K. 414 Mozart’s twelfth piano concerto was one of three composed in 1782 for sale to the Viennese public by advance subscription, the 18th-century equivalent 
of ‘crowd-sourcing’. A major selling point of these ‘subscription’ concertos (K. 413, 414 & 415) was that they were composed…

  • PROGRAM NOTES: LUCA PISARONI & WOLFRAM RIEGER

    PROGRAM NOTES: LUCA PISARONI & WOLFRAM RIEGER

    Wolfgang Amadeus Mozart Four Songs The earliest German lieder we have in the concert repertoire come from the more than 30 works that Mozart wrote between 1768 (at the age of twelve!) and his death in 1791. His mature songs reflect his skill as
an opera composer in their sensitive treatment of the text, bolstered by…

  • PROGRAM NOTES: DANISH STRING QUARTET

    PROGRAM NOTES: DANISH STRING QUARTET

    The Art of Fugue Fugue is the Rubik’s cube of compositional genres. It’s the sort of thing that only the ‘brainiest’ of modern composers, one with a bent for antiquarian curiosities, would attempt. And yet in its golden age in the first half of the 18th century, fugue writing was commonplace, an expected skill for…

  • PROGRAM NOTES: CHRISTIAN GERHAHER & GEROLD HUBER

    PROGRAM NOTES: CHRISTIAN GERHAHER & GEROLD HUBER

    By Christian Gerhaher This programme of poems by Johann Wolfgang von Goethe set to music by Franz Schubert and Wolfgang Rihm was conceived as a tribute to the eight great poetic hymns written during the poet’s Sturm und Drang period of the 1770s and 1780s. I had always regretted that Schubert had set only three…

  • VRS 2014-15 SEASON BROCHURE