Tag: Franz Liszt
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PROGRAM NOTES: GEORGE LI
Franz Joseph Haydn Sonata in B minor Hob. XVI:32 It is not often that you catch the congenial, ever-chipper Haydn writing in a minor key. But minor keys were all the rage in the 1770s, the age of Sturm und Drang (storm and stress), an age when composers such as C. P. E. Bach sought to…
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PROGRAM NOTES: ZHANG ZUO
Ludwig van Beethoven 32 Variations in C minor WoO 80 The theme that Beethoven chose for his 32 Variations in C minor (1806) has a Baroque feel to it, with its chaconne-like harmonic pattern in the left hand and sarabande-like second-beat emphasis in the right. This theme, however, is far from the characterless blank canvas…
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PROGRAM NOTES: BENJAMIN GROSVENOR
Robert Schumann Arabesque, Op. 18 In the autumn of 1838 Robert Schumann made a career decision. He would move from his native Leipzig to Vienna to find a publisher and a sympathetic public for his piano compositions. The public he hoped to attract in his year in the Austrian capital was a public of the…
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PROGRAM NOTES: JOSEPH MOOG
Ludwig van Beethoven Sonata in C minor Op. 13 (Pathétique) At the end of the 18th century, a young Ludwig van Beethoven burst upon the scene with a musical personality that mixed brooding machismo with emotional vulnerability. This unusual combination soon established him as the Marlon Brando of Viennese composers, with the key of C…
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PROGRAM NOTES: YUN-CHIN ZHOU
Domenico Scarlatti Three Sonatas The 550-odd sonatas of Domenico Scarlatti are perhaps the most successful works to migrate from the harpsichord to the modern grand piano. Their transparent texture of simple two- and three-part keyboard writing has one foot in the imitative counterpoint of the Baroque while anticipating the Classical era of Haydn and Mozart…
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A LETTER FROM ANTHONY ROTH COSTANZO
As I enter my 20th year of professional performance, I have been reflecting on the most resonant musical moments throughout my development as a singer. From my beginning as a Broadway baby to my now daily dances with Handel, I have realized that there is a lot of music in between those two poles which…
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PROGRAM NOTES: ANTHONY ROTH COSTANZO
Henri Duparc was, with Berlioz and Fauré, among the pioneers of la mélodie (the French art song, as distinguished from folk song). His career was remarkable in that although he lived for 85 years, his reputation rests on barely more than a dozen songs. “Chanson triste” was Duparc’s first song, written at the age…
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PROGRAM NOTES: BEHZOD ABDURAIMOV
Franz Schubert: Piano sonata in A major, D. 664 (Op. 120) Scholars lack definite evidence for the date and place of composition of Schubert’s early A major sonata, but most are willing to grant that most likely he wrote it during the summer of 1819 while vacationing in Steyr in Upper Austria. He wrote to…