Tag: Haydn

  • PROGRAM NOTES: SCHAGHAJEGH NOSRATI
  • A CHANGE TO OUR FIRST CONCERT IN THE 2017-18 SEASON

    A CHANGE TO OUR FIRST CONCERT IN THE 2017-18 SEASON

    The Simón Bolívar String Quartet’s scheduled performance at the Vancouver Playhouse on September 17 has been postponed to a future season. The current volatile and violent situation in Venezuela, which has heightened following last week’s election, has made it almost impossible for the quartet to navigate around Caracas to make arrangements for their North American tour.…

  • PROGRAM NOTES: ROMAN RABINOVICH

    PROGRAM NOTES: ROMAN RABINOVICH

    Franz Joseph Haydn Sonata in B-flat Major, Hob. XVI:41 In 1784 Haydn wrote three keyboard sonatas for Princess Marie, the new bride of Prince Nicholas Esterházy, grandson of Haydn’s employer Prince Nicholas I. Each is a two- movement work, without a lyrical slow movement, perhaps reflecting the taste of the young Princess for lighter fare.…

  • PROGRAM NOTES: DORIC STRING QUARTET

    PROGRAM NOTES: DORIC STRING QUARTET

      Franz Joseph Haydn: String Quartet in G minor, Op. 20, no. 3 A strong new current of artistic expression swept through central Europe during the late 1760s and early 1770s, known as Sturm und Drang (storm and stress). While not every work was stormy or stressful, the moniker served notice that composers were turning…

  • LEILA GETZ: ONE OF THE MOST PERFECT CONCERT EXPERIENCES OF MY LIFE

    LEILA GETZ: ONE OF THE MOST PERFECT CONCERT EXPERIENCES OF MY LIFE

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    Last night I had one of the most perfect concert experiences of my life. I have been attending a conference of music managers and presenters in Budapest. I discovered that baritone Christian Gerhaher was singing an all-Schubert song recital in the Vienna Konzerthaus. It was sold out, but after 33 years in the concert presenting…

  • PROGRAM NOTES: CHRISTIAN GERHAHER AND ANDRÁS SCHIFF

    PROGRAM NOTES: CHRISTIAN GERHAHER AND ANDRÁS SCHIFF

    Ludwig van Beethoven An die ferne Geliebte Adelaide, Op. 46 An die ferne Geliebte, composed in 1816, stands proudly at the beginning of Christian Gerhaher’s recital as the first important song cycle from any composer, that is,  a series of songs in which the constituent numbers are linked together by a theme or narrative of…