Tag: piano
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PROGRAM NOTES: BENJAMIN GROSVENOR
Jean-Philippe Rameau Gavotte and Variations in A minor The modern pianist seeking to play the Baroque harpsichord repertoire faces many obstacles, starting with the friendly fire of his own trusty Steinway itself, so different in sound from the perky little plucked-string sound box for which this music was originally written. A note on the harpsichord…
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PROGRAM NOTES: STEVEN OSBORNE AND PAUL LEWIS
Gabriel Fauré Dolly Suite Op. 56 In the 1890s Gabriel Fauré would often compose or revise small pieces for the infant daughter of his mistress Emma Bardac (1862-1934). These affectionate pieces celebrated a birthday, a pet, or a special person in the life of the young Regina-Hélène, known in the family as “Dolly,” and six…
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PROGRAM NOTES: YUJA WANG
Baldassare Galuppi Andante from the Sonata in C major The Venetian musician Baldassare Galuppi was one of the most successful composers of the 18th century. While his prodigious output of vocal music, comprising more than 100 operas, did not survive in the repertoire, interest in his keyboard music was revived in the last half of…
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PROGRAM NOTES: DORIC STRING QUARTET WITH MARC-ANDRÉ HAMELIN
Jean Sibelius Quartet in D minor Op. 56 Voces Intimae Sibelius’ Quartet in D minor was completed in 1909 and has five movements, symmetrically arranged in an arch form around the lyrical third-movement Adagio, with scherzos on either side separating it from the opening movement and finale. The name Voces Intimae derives from a Latin…
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PROGRAM NOTES: FAUST QUEYRAS MELNIKOV TRIO
Ludwig van Beethoven Kakadu Variations in G major Op. 121a Beethoven’s Kakadu Variations comprise an introduction and 10 variations on a popular theme from the Viennese stage. It has a compositional history that extends over more than two decades, with a first version of the work likely dating from around 1803. By 1816 Beethoven had had…
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PROGRAM NOTES: GEORGE AND ANDREW LI
Wolfgang Amadeus Mozart Sonata in D major K. 381 for Piano Duet In the 1760s, when Wolfgang & his sister Nannerl were touring Europe as child prodigies, the keyboard duet was a popular novelty item on their programs, one that offered a fuller range of sound from a single instrument while still allowing each performer…
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PROGRAM NOTES: SHEKU AND ISATA KANNEH-MASON
Ludwig van Beethoven 12 Variations on “Ein Mädchen oder Weibchen” from The Magic Flute Op. 66 Beethoven’s set of variations on a theme from Mozart’s Magic Flute features twelve sharply chiselled operatic duets between piano and cello, widely differentiated in character like the comic personalities in the Singspiel from which the theme is derived. Audiences…
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PROGRAM NOTES: Z.E.N. TRIO
Franz Schubert Notturno in E-flat major Op. 148 Schubert’s Adagio for Piano Trio D 897 was composed in 1827 but only published decades later, under the publisher’s title Notturno. And indeed, the opening section does conjure up images of nighttime serenity, with its heavenly texture of harp-like arpeggios in the piano supporting a hypnotic melody…
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PROGRAM NOTES: NIKKI AND TIMMY CHOOI AND ANGELA CHENG
Claude Debussy Sonata in G minor for violin and piano The sound of Debussy’s music confounded many of his contemporaries. From a tonal point of view, it floated in stasis in a world of pastel sounds that arrived at their destination more by whim than by design. How, they asked, could what he composed actually…
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PROGRAM NOTES: TETZLAFF-TETZLAFF-VOGT TRIO
Wolfgang Amadeus Mozart Piano Trio No. 1 in B-flat Major K 502 The piano trio developed out of the ‘accompanied’ keyboard sonata, a makeshift compositional genre that attempted to compensate for the weak ‘tinkly’ tone of the early fortepiano (forerunner of the modern pianoforte) by the addition of a violin to reinforce the singing line…