Stay Tuned!

Sign up to get free in-depth coverage on up and coming artist and more!

×

For Your Viewing Pleasure

It seems only appropriate to highlight the dynamic skills of Kirill Gerstein in a performance of Rachmaninoff’s 3rd Piano Concerto with the Simon Bolivar Youth Symphony Orchestra and conductor Gustavo Dudamel.

And while we are considering virtuoso performances, we could not resist offering two encore performances by George Li (Playhouse, Sunday, December 4). We have uploaded two videos of George performing Flight of the Bumblebee, the first video showcases George’s talent at the astonishing age of 12, the second features George at age 15.

Serving Up Virtuosity

I read with interest a New York Times article (found here) about the plethora of virtuosi currently found on the concert stages.

According to the author, Anthony Tommasini, there are perhaps more technically gifted pianists now than at any other time. Compositions that were once the exclusive domain of the rare pianists are now commonplace on the concert stage.

Interestingly, Tommasini suggests today’s concert-goer does not necessarily appreciate the upsurge in technical prowess due to the simple fact that phenomenal technique is now expected.

Tommasini goes on to describe reasons for the increased dexterity (“learning to practice the craft better, becoming better conditioned”), as well as two types of pianistic groups: those who have the technique to play anything and those who have the technique to play the music that is most important to them.

Throughout the article many pianists are cited, almost all of whom are very familiar to the VRS audiences. We posted a link to the article on the VRS Facebook page last week. In response, David Gordon Duke wrote that the article “made me think about how remarkable our Vancouver recital diet has been over the years”.

Perhaps with a little bravura of our own, we thought it would be fun to list the pianists mentioned by Tommasini along with some of their performance dates.

Yuja Wang (November 2008, May 2010); Lang Lang (October 1999, March 2002, November 2004, October 2008, January 2011); Yundi Li (April 2004, April 2006); Pierre-Laurent Aimard (October 2003, October 2007); Nikolai Lugansky (February 2009); Piotr Anderszewski (March 2003, October 2008); Richard Goode (February 1998, April 2001, April 2005, February 2007); Jean-Yves Thibaudet (January 1999, April 2001); Evgeny Kissin (September 1996); and Stephen  Hough (February 1991, October 2000).

It reads like a VRS season made in heaven!

We are equally proud to be presenting three more mentioned pianists in our upcoming season: Kirill Gerstein, the Gilmore Artist Award-winning pianist performing on Thursday, April 19; Alfred Brendel, who offers a lecture on Friday, October 21; and pianist András Schiff, who will perform with baritone Christian Gerhaher on Monday, May 14.

The Vancouver recital diet has indeed been rich, and the Vancouver Recital Society is more the pleased to provide the menu.

Paul Gravett
Executive Director

P.S. Mr. Schiff made his Canadian debut on our series at the Arts Club on Granville Island in 1982. Leila describes it as “one of the landmark concerts of my life”.

For Your Viewing Pleasure

Maxim Rysanov describes how he was introduced to the viola. It didn’t take long for this “prince among violists” to achieve success and acclaim. In September 2010 he performed Tchaikovsky’s Rococo Variations at the Last Night of the Proms with conductor Jiri Belohlavek and the BBC Symphony Orchestra.

Maxim Rysanov performs at Kay Meek Centre on Sunday, October 16.

Alfred Brendel Returns To Vancouver

alfredbrendel.070346I had the privilege of presenting Alfred Brendel three times during the past ten years and each experience was memorable for a myriad of different reasons.

The first time he came to Vancouver, I remember distinctly sitting in a state of extreme nerves at YVR waiting for his plane to arrive. I so desperately wanted to have someone with me that I called the office at least three times to complain about having to go to the airport on my own.

Mr. Brendel had flown in to Vancouver two days before his concert, to check out the piano and our piano technician, and to practice on the instrument he would be playing two days later.

He is taller than I had imagined, and a true European gentleman. His terrifying demeanour dissipates when he smiles. I had heard that he had friends in Vancouver, so I said to him, “Mr. Brendel, I understand you have friends in Vancouver, so will you want to call them to make arrangements to have dinner with them?” He said “they are not in town at the moment” and before I could stop my tongue, I said “does that mean I’m stuck with you for dinner tonight?” He said, with a large grin on his face, “Yes, my dear, I’m afraid you are”.

On a subsequent visit Alfred Brendel came to our home to practice one evening. I had explained to him that we had just had our piano rebuilt and that it hadn’t yet been voiced (a very important part of the procedure). He practiced on it for about an hour and a half and when he was done, he said “your piano sounds like an unmade bed”.

It is rare to meet someone who has such a wide range of interests and knowledge. From music to wine to food to kitsch. He answers questions in great detail and never talks down. He is NEVER boring. Only fascinating. Listening to him is like reading an encyclopedia.

I would like to conclude with a quote from his fascinating book, Alfred Brendel on Music:

“What is piano playing of genius? Playing which is at once correct and bold. Its correctness tells us: that is how it has to be. Its boldness presents us with a surprising and overwhelming realization: what we had thought impossible becomes true.

Correctness can be attained by the expert. But boldness presupposes the gift of projection, which draws the audience into the orbit of one’s personality.”

To learn more about Mr. Brendel’s thoughts on music, I urge you to attend his illustrated lecture entitled Does classical music have to be entirely serious? This is a rare opportunity to experience the reflections of a truly great mind.

The lecture takes place at Roy Barnett Hall on Friday, October 21 at 8pm. Seating is limited and unreserved.  Pleasure is unrestricted.

Leila

Top