Category: 15-16 Season

  • PROGRAM NOTES: IAN BOSTRIDGE & WENWEN DU

    PROGRAM NOTES: IAN BOSTRIDGE & WENWEN DU

    Gustave Mahler Three Des Knaben Wunderhorn Songs The collection of German folk poetry published between 1805 and 1808 under the title Des Knaben Wunderhorn (The Youth’s Magic Horn) had an enormous influence on the development of German lyric poetry and song in the 19th century, and the artless simplicity of these verses was particularly attractive…

  • PROGRAM NOTES: BRYN TERFEL & NATALIA KATYUKOVA

    PROGRAM NOTES: BRYN TERFEL & NATALIA KATYUKOVA

    Idris Lewis Cân yr arad goch (Ceiriog) The Welsh poet John Hughes (1832-1887), who took the bardic name Ceiriog, is known as the “Robert Burns of Wales.” Like the great Scottish poet, he sought to express his love for his homeland through poems written in the simple, sincere language of the common people, drawing upon…

  • PROGRAM NOTES: SCHUBERTIADE PERFORMANCE 3

    PROGRAM NOTES: SCHUBERTIADE PERFORMANCE 3

    Sonata in A major D959 Schubert’s penultimate piano sonata was one of three written in the summer of 1828, just months before his death. This is a pianistically challenging work of unusually wide emotional range. Its moods run the gamut from the heroic to the playful, featuring outbursts of musical vehemence that alternate with moments…

  • PROGRAM NOTES: SCHUBERTIADE PERFORMANCE 2

    PROGRAM NOTES: SCHUBERTIADE PERFORMANCE 2

    Fantasie in F minor for piano four hands D940 Schubert’s Fantasie in F minor for piano duet, composed in 1828, is similar in structure to the composer’s ‘Wanderer’ Fantasy of 1822. Both are laid out in one continuous movement of four sonata-like sections played without interruption, comprising an opening Allegro, a slow movement, a scherzo…

  • PROGRAM NOTES: SCHUBERTIADE PERFORMANCE 1

    PROGRAM NOTES: SCHUBERTIADE PERFORMANCE 1

    Sonata in C minor D958 Of the three last sonatas Schubert wrote just before his death in 1828, it is the Sonata in C minor that most reveals him as Beethovenian, not just in his choice of key, synonymous with Beethoven’s most turbulent musical thoughts, but more tellingly in the restless energy and propulsive forward…

  • PROGRAM NOTES: MARK PADMORE & PAUL LEWIS

    PROGRAM NOTES: MARK PADMORE & PAUL LEWIS

    The age of the German lied, an art-song for solo voice with piano accompaniment, extends from the first songs of Schubert (1814) to the last songs of Hugo Wolf (1897). Its emergence in the early part of the 19th century was strongly influenced by literary Romanticism, and it is not a coincidence that lyric poems…

  • PROGRAM NOTES: BROWN-URIOSTE-CANELLAKIS TRIO

    PROGRAM NOTES: BROWN-URIOSTE-CANELLAKIS TRIO

    Franz Joseph Haydn Piano Trio in F sharp minor, Hob. XV/26 Haydn’s piano trios are really just accompanied piano sonatas, with the cello doubling the bass line and the violin the melody on top. Such a stylistically regressive texture, so unlike the string quartet’s ideal of conversation between musical equals, nevertheless had its advantages. As…

  • PROGRAM NOTES: RICHARD GOODE

    PROGRAM NOTES: RICHARD GOODE

    Bach: Prelude and Fugue No. 1 in C major, BWV 870 Among the chores assigned to the prelude in the time of Bach were those of catching the listener’s attention, establishing the tonality of the following (presumably more important) piece, and in the process, warming up the player’s hands with a bit of free-form noodling.…

  • PROGRAM NOTES: TETZLAFF TRIO

    PROGRAM NOTES: TETZLAFF TRIO

    Robert Schumann Piano Trio No. 2 in F major, Op. 80 Robert Schumann began composing in the 1830s, a time when the formation of a canon of great musical works was just beginning, thanks to new publications of older music and to concerts of ‘historical’ or ‘antique’ music such as Mendelssohn’s famous performance of Bach…

  • PROGRAM NOTES: IGOR LEVIT

    PROGRAM NOTES: IGOR LEVIT

    Johann Sebastian Bach Partita No. 4 in D major, BWV 828 The Baroque suite was the iPod shuffle of its time. It was a colourful bowl of musical Smarties with a cosmopolitan flavour, offering a collection of dances from all the major musical nations of Europe: the moderately-paced allemande from Germany, the much animated courante from France…