In this concert we’ll celebrate J.S. Bach’s 336th birthday with a selection of his works arranged by this wonderful group of musicians. The Dover Quartet catapulted to international fame following a stunning sweep of the 2013 Banff Competition, at which they won every prize. In 2017, they appeared on our Next Generation Series with mandolinist Avi Avital.
Bridget Kibbey has gained a reputation for her diverse, energetic programming that spans the baroque, French masterworks, and rhythmic South American music. The award-winning harpist appears frequently as soloist and chamber musician at festivals and on series across the globe.
“It is my great pleasure to join the formidable Dover Quartet in sharing this experience with you live, via some of our best-beloved works of J.S. Bach, adapted for harp and string quartet. In this context, the harp becomes a mighty organ, an intimate lute, a clavecin supporting vocal lines executed by the bow. The quartet becomes a harpsichord with lines drawn out in various colours, an individual violin becomes a vocalist; and together, the ensemble becomes an orchestra exalting in the complexity of woven counterpoint. We hope you enjoy our celebration of J.S. Bach, re-imagined for harp and strings.”
— Bridget Kibbey
J.S. BACH: Toccata & Fugue in D minor, BWV 565 (harp) (trans. Kibbey)
J.S. BACH: Sonata in E flat major, BWV 1031 (violin & harp)
J.S. BACH: Aria and 4 Variations from the Goldberg Variations, BWV 988 (violin, viola & cello) (trans. Daniel Lee)
J.S. BACH: Harpsichord Concerto in F minor, BWV 1056 (string quartet & harp)
J.S. BACH: Sonata in G minor for Violin & Clavier, BWV 1020 (violin & harp)
J.S. BACH: Art of the Fugue, BWV 1080: Contrapuncti 1 – IV (string quartet)
J.S. BACH: Brandenburg Concerto No. 3 in G major, BWV 1048 (string quartet & harp)
“A sound so distinctive as to be identified within mere minutes” — Philadelphia Enquirer
“Kibbey made it seem as though her instrument had been waiting all its life to explode with the gorgeous colours and energetic figures she was getting from it” — New York Times
Learn more about each afternoon’s recital program at our pre-concert talks. Each talk takes place at 2.15pm in Salon A