Tag: cello
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PROGRAM NOTES: WINTERLUDE – SUPER SUNDAY WITH JEAN-GUIHEN QUEYRAS & ALEXANDER MELNIKOV
Robert Schumann Fünf Stücke im Volkston Op. 102 The late 1840s saw Schumann take up “house music” in a big way. This does not mean that he began to DJ at raves, playing dance music with repetitive drum tracks and synthesized basslines. Rather, he had a productive period composing music specifically designed for the home…
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PROGRAM NOTES: WINTERLUDE – SUPER SUNDAY WITH ALEXANDER MELNIKOV
Sergei Rachmaninoff Variations on a Theme of Chopin Op. 22 Chopin’s funereal, passacaglia-like Prelude in C minor from his collection of 24 Preludes Op. 28 provides the theme for Rachmaninoff’s first large-scale work for solo piano, his Variations on a Theme of Chopin, completed in 1903. Taking as his point of departure the prelude’s hymn-like…
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PROGRAM NOTES: WINTERLUDE – SUITE SATURDAY WITH JEAN-GUIHEN QUEYRAS
A Bit of History Few scholars doubt that Western music was better off for the release of a certain “Bach, Johann Sebastian” from the county jail in Weimar where he had languished, in unsuitable company, for the better part of a month in the autumn of 1717. Court organists can be a stroppy crew at…
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PROGRAM NOTES: ISTVÁN VÁRDAI
Felix Mendelssohn Variations Concertantes Op. 17 Felix was not the only musician in the Mendelssohn family. His older sister Fanny Mendelssohn Hensel (1805-1847) was a prodigiously talented pianist and composer, although she chose marriage over a public career, and his younger brother Paul Mendelssohn (1812-1874) was no slouch as a cellist, to judge by the…
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PROGRAM NOTES: MAXIMILIAN HORNUNG & BENJAMIN ENGELI
Robert Schumann Fünf Stücke im Volkston, Op. 102 Long before Martha Stewart made middle-class home furnishings a “thing,” the Biedermeier period (1815-1848) ushered in a bourgeois age of cozy home interiors that celebrated domestic family life and gave music a prominent place within it. Biedermeier Europe enjoyed the blessings of peace after the defeat of…
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PROGRAM NOTES: STEVEN ISSERLIS & ROBERT LEVIN PERFORMANCE 2
Ludwig van Beethoven 7 Variations on Bei Männern, welche Liebe fühlen from Mozart’s Die Zauberflöte Wo046 Beethoven’s second set of cello and piano variations on a tune derived from Mozart’s Magic Flute was composed in 1801, five years after his previous Ein Mädchen oder Weibchen variations of 1796. In this set, Beethoven picks another simple…
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PROGRAM NOTES: STEVEN ISSERLIS & ROBERT LEVIN PERFORMANCE 1
Ludwig van Beethoven 12 Variations on a Theme from Handel’s Judas Maccabaeus Wo0 45 In 1796 Beethoven paid a visit to the court of King Friedrich Wilhelm II in Berlin, and cellists the world over are glad that he did. From this visit resulted a number of works for cello and piano that set the…
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PROGRAM NOTES: DORIC STRING QUARTET
FRANZ JOSEPH HAYDN String Quartet in D minor, Op. 76, No. 2 Those of us wondering in our spare moments what a happy retirement consists of might do well to consider the case of one Franz Joseph Haydn, whose life in the years 1796-97, when his collection of six string quartets Op. 76 was written,…
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PROGRAM NOTES: DANIEL MÜLLER-SCHOTT & SIMON TRPČESKI
Ludwig van Beethoven Sonata for cello & piano in C major, Op. 102, No. 1 Those who think of sonata form as a well-organized dinner plate – with the red meat in one corner, the mashed potatoes stationed opposite, and peas or broccoli distributed neatly over the remaining space – might be forgiven for thinking…
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PROGRAM NOTES: YO-YO MA & KATHRYN STOTT
Igor Stravinsky Suite Italienne At the end of the Great War Igor Stravinsky underwent a radical shift in his compositional techniques and aesthetic aims. Gone were the gargantuan orchestras that had performed the lush, colorful scores of his pre-War ballets Firebird and Petrushka. Gone, as well, the dense chord structures and revolutionary rhythmic tumult that…