Tag: Vancouver Playhouse
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PROGRAM NOTES: RANDALL GOOSBY AND ZHU WANG
Lili Boulanger Deux Morceaux Lili Boulanger was born into a distinguished family of French musicians. Her grandfather, Frédéric Boulanger (b. 1777) had been a professor at the Paris Conservatoire and was married to Marie-Julie Haligner (1786-1850), a mezzo-soprano at the Théâtre de l’Opéra-Comique who had sung in the premiere of Donizetti’s La Fille du Régiment…
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PROGRAM NOTES: JAMAL ALIYEV AND FAZIL SAY
Franz Schubert Sonata in A minor for Arpeggione and Piano D. 821 Schubert’s Arpeggione Sonata was composed in 1824 but only published in 1871—long after the composer’s death in 1828, and almost as long after the principal instrument for which it was written fell out of favour. The six-stringed arpeggione was a kind of large…
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PROGRAM NOTES: SIR ANDRÁS SCHIFF PERFORMS THE GOLDBERG VARIATIONS
Bach’s Clavier-Übung (1726-1741) The works on this evening’s recital are selected from Bach’s collection of keyboard pieces published in four parts between 1726 and 1741 under the collective title Clavier-Übung (keyboard exercise). In this collection Bach systematically lays out for amateur and professional keyboard-players alike his mastery of the genres, compositional techniques, and national styles…
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PROGRAM NOTES: STEVEN ISSERLIS AND CONNIE SHIH
Reynaldo Hahn Variations chantantes sur un air ancien The Venezuelan-born French composer Reynaldo Hahn is best known for his contribution to the French song repertoire with his more than 100 mélodies published between 1890 and his death in 1947. He is equally well known as the sometime romantic partner of writer Marcel Proust, whose epic…
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PROGRAM NOTES: FILIPPO GORINI
Johann Sebastian Bach The Art of Fugue BWV 1080 By the 1740s Bach had largely withdrawn from composing new church music for Leipzig’s Thomaskirche, devoting his creative energies instead to a series of large-scale projects that responded more directly to his own personal and professional interests. These monumental works were encyclopedic in scope, systematic in…
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PROGRAM NOTES: GOLDA SCHULTZ
Clara Schumann Liebst du um Schönheit | Warum willst du andre frage | Am Strande | Lorelei Clara Schumann (née Wieck) was a major figure in nineteenth-century music. As a child prodigy, she toured Europe with her father and teacher Friedrick Wieck, meeting Goethe in Weimar and Paganini in Paris. After her marriage to Robert…
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PROGRAM NOTES: STEVEN OSBORNE
Franz Schubert Impromptu No. 1 in F minor D. 935 The impromptu is just one of a number of small-scale instrumental genres arising in the early 19th century, known under the collective title of character pieces. Cultivated by composers in the emerging Romantic movement, these pieces presented a simple musical idea in an intimate lyrical…
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PROGRAM NOTES: DANIEL HSU
Robert Schumann Kinderszenen Op. 15 The character piece, a short work expressing a single mood or illustrating an idea suggested by its titling, was a typical product of the Romantic era, and Robert Schumann was a major contributor to the genre. In 1838 he composed 30 such works, publishing 13 of them in a collection…
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PROGRAM NOTES: NICOLAS ALTSTAEDT
Henri Dutilleux Trois strophes sur le nom de Sacher Swiss conductor Paul Sacher (1906-1999), founder of the Basel Chamber Orchestra, was an immensely important figure in 20th-century music. With a family fortune based on a controlling share of the Hoffman-LaRoche pharmaceutical empire, he commissioned works from some of the century’s greatest composers. These commissioned works…
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PROGRAM NOTES: DANISH STRING QUARTET II
Franz Schubert String Quartet No. 14 in D minor D. 810 (Death and the Maiden) Schubert’s “Death and the Maiden” string quartet is a sombre work, with all four of its movements set in a minor key. It takes its name from the composer’s lied Der Tod und das Mädchen (1817) that provides the theme for…
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PROGRAM NOTES: JAKUB JÓZEF ORLIŃSKI
J.J. Fux Non t’amo per il ciel from Il fonte della salute, aperto dalla grazia nel Calvario Johann Joseph Fux was an early-18th-century Austrian court composer of the first rank, best known by musicians today for his widely studied treatise on Renaissance counterpoint entitled Gradus ad Parnassum (1725). The Hapsburg court in Vienna was the…
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PROGRAM NOTES: ISATA KANNEH-MASON
Wolfgang Amadeus Mozart Sonata No. 14 in C minor K. 457 In 1785 Mozart’s Sonata in C minor was published together with the composer’s Fantasia in C minor as a single opus, with the Fantasia forming a kind of introductory ‘prelude’ to the sonata. Given that the Fantasia was composed many months after the sonata,…
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PROGRAM NOTES: CASTALIAN STRING QUARTET
Franz Joseph Haydn String Quartet in D minor Op. 76 No. 2 (“Fifths”) Haydn is known as the father of the string quartet for his leading role in transforming the genre from its origins as light entertainment into a vehicle for serious composition, worthy of standing beside the instrumental sonata and the orchestral symphony. His…
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PROGRAM NOTES: AUGUSTIN HADELICH
Johann Sebastian Bach Partita No. 3 in E major BWV 1006 If polyphonic music was not meant to be played on the violin, Johann Sebastian Bach didn’t get the e-mail. His Sonatas and Partitas for solo violin BWV 1001-1006 of 1720 reveal clearly the scope of his ambition in this regard. The six works in…
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PROGRAM NOTES: JUHO POHJONEN
Wolfgang Amadeus Mozart Fantasy in C minor K 475 The year 1785 was a good one for Mozart. In the words of musicologist John Irving, he had become something of a ‘hot property’ in Vienna, enjoying considerable success both as a published composer and as a performing musician. But Mozart had also acquired a reputation…
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PROGRAM NOTES: TONY SIQI YUN
Johann Sebastian Bach Chaconne in D minor BWV 1004 (arr. Busoni) The 19th century witnessed a revival of interest in the music of Johann Sebastian Bach. But the sound world of the 19th century with its new spacious concert halls and louder, more powerful instruments (played by ego-driven virtuoso performers) flourished at some remove from…
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PROGRAM NOTES: BENJAMIN GROSVENOR
Jean-Philippe Rameau Gavotte and Variations in A minor The modern pianist seeking to play the Baroque harpsichord repertoire faces many obstacles, starting with the friendly fire of his own trusty Steinway itself, so different in sound from the perky little plucked-string sound box for which this music was originally written. A note on the harpsichord…
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PROGRAM NOTES: SCHUMANN QUARTET
Wolfgang Amadeus Mozart Quartet in D major K. 499 “Hoffmeister” Mozart’s most accomplished string quartets are generally considered to be the ten he wrote after moving to Vienna in 1781, beginning with the set of six dedicated to Haydn, published in 1785 and ending with the set of three dedicated to the King Friedrich Wilhelm II…
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PROGRAM NOTES: STEVEN OSBORNE AND PAUL LEWIS
Gabriel Fauré Dolly Suite Op. 56 In the 1890s Gabriel Fauré would often compose or revise small pieces for the infant daughter of his mistress Emma Bardac (1862-1934). These affectionate pieces celebrated a birthday, a pet, or a special person in the life of the young Regina-Hélène, known in the family as “Dolly,” and six…
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PROGRAM NOTES: DORIC STRING QUARTET WITH MARC-ANDRÉ HAMELIN
Jean Sibelius Quartet in D minor Op. 56 Voces Intimae Sibelius’ Quartet in D minor was completed in 1909 and has five movements, symmetrically arranged in an arch form around the lyrical third-movement Adagio, with scherzos on either side separating it from the opening movement and finale. The name Voces Intimae derives from a Latin…
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PROGRAM NOTES: FAUST QUEYRAS MELNIKOV TRIO
Ludwig van Beethoven Kakadu Variations in G major Op. 121a Beethoven’s Kakadu Variations comprise an introduction and 10 variations on a popular theme from the Viennese stage. It has a compositional history that extends over more than two decades, with a first version of the work likely dating from around 1803. By 1816 Beethoven had had…