Tag: Recital

  • PROGRAM NOTES: ZLATOMIR FUNG AND BENJAMIN HOCHMAN
  • PROGRAM NOTES: ANDREW TYSON

    PROGRAM NOTES: ANDREW TYSON

    Alban Berg Sonata Op. 1 The tonal system in use throughout the 18th and 19th centuries, from Bach to Tchaikovsky, was predicated on the understanding that pieces would be in a home key – from which they would depart, and to which they would return – and that harmony would result from the interaction of chords…

  • PROGRAM NOTES: JONATHAN ROOZEMAN

    PROGRAM NOTES: JONATHAN ROOZEMAN

    Luigi Boccherini Sonata in A major G 4 Luigi Boccherini was perhaps the greatest cellist of the 18th century, and like his compatriot of a previous generation, Domenico Scarlatti, he spent the most active portion of his professional life at the court of Spain. His royal patron, the Spanish Infante Don Luis Antonio, younger brother…

  • PROGRAM NOTES: DANISH STRING QUARTET

    PROGRAM NOTES: DANISH STRING QUARTET

    Ludwig van Beethoven String Quartet in C minor Op. 18 No. 4 In the Napoleonic era, when a Viennese aristocrat was thinking of entertaining friends at home, he might pop down to the local shop to pick up a six-pack—of string quartets, that is. The most refined form of home entertainment in Austria’s capital was…

  • PROGRAM NOTES: FILIPPO GORINI

    PROGRAM NOTES: FILIPPO GORINI

    Ludwig van Beethoven Sonata A flat major Op. 110 Beethoven’s penultimate piano sonata is remarkable for the utter simplicity of its musical ideas and the directness with which they are expressed. The most obvious late-period features of this work are an extremely wide keyboard range and a melding of slow movement and finale into a…

  • PROGRAM NOTES: BEHZOD ABDURAIMOV

    PROGRAM NOTES: BEHZOD ABDURAIMOV

    Richard Wagner Isolde’s Liebestod arr. Franz Liszt The 19th century in Europe was an age in which psychological states went mainstream in the arts, becoming a particularly powerful stimulus for musical expression. A new genre, the nocturne, for example, captured that eerie feeling of being alone with one’s lyrical thoughts at a still point in…

  • PROGRAM NOTES: ZOLTÁN FEJÉRVÁRI

    PROGRAM NOTES: ZOLTÁN FEJÉRVÁRI

    Robert Schumann Waldszenen Op. 82 It is not by chance that Carl Maria von Weber’s opera Der Freischütz, the founding work of German musical Romanticism, is set in a forest. Nor is it a coincidence that German Romantic poets from Ludwig Tieck to Joseph von Eichendorff and Heinrich Heine extolled the deep spiritual joys of…

  • PROGRAM NOTES: SIR SIMON KEENLYSIDE

    PROGRAM NOTES: SIR SIMON KEENLYSIDE

    Johannes Brahms Songs from Opp. 6, 72, 86 & 96 It may be surprising to learn that while Brahms is universally revered as a giant of 19th-century instrumental music, he is often listed as one of the lesser composers of 19th-century art song. This may be because the texts he chose to set were for…

  • PROGRAM NOTES: ANDREA LUCCHESINI

    PROGRAM NOTES: ANDREA LUCCHESINI

    Domenico Scarlatti Six Sonatas K 491 – K 454 – K 239 – K 466 – K 342 – K 146 The 550-odd sonatas of Domenico Scarlatti are perhaps the most successful works to migrate from the harpsichord to the modern grand piano. Their transparent texture of simple two- and three-part keyboard writing has one foot in the imitative counterpoint of…

  • PROGRAM NOTES: IGOR LEVIT

    PROGRAM NOTES: IGOR LEVIT

    Johann Sebastian Bach Chaconne in D minor BWV 1004 (arr. Brahms) The Bach revival of the 19th century began with a performance of the
 St. Matthew Passion in Berlin in 1829, conducted by the 20-year-old Felix Mendelssohn. It reached its stride at mid-century with the founding, by Robert Schumann and others, of the Bach-Gesellschaft, a society…