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Benjamin Grosvenor

“…poetic and gently ironic, brilliant yet clear-minded, intelligent but not without humour, all translated through a beautifully clear and singing touch.” — The Independent

Benjamin Grosvenor’s outstanding debut on the VRS’ Next Generation Series last season led to an immediate re-engagement. Since achieving prominence in 2004 as the youngest winner of the Keyboard section of the BBC’s Young Musician of the Year Competition at age 11, the British Pianist has taken his place as one of today’s most exceptional musicians.

Program

RAMEAU: Gavotte and Variations in A minor

BACH-BUSONI: Chaconne in D minor, BWV 1004

FRANCK: Prélude, Chorale and Fugue

CHOPIN: Barcarolle Op. 60

CHOPIN: Two Mazurkas

CHOPIN: Ballade No. 3, Op. 47

GRANADOS: Three Pieces from Goyescas

 

Series sponsor:

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Supported by:

City Van-01

 

 

 

 

 

 

 

Paul Lewis

“Time and again you marvel at the confidence and sureness of Lewis’s playing, combined with the finesse and musicality he has always displayed. It’s the kind of playing, in fact, where comparisons cease to matter…” — Gramophone

Delving into music with passionate spontaneity and heart-wrenching intimacy, Paul Lewis has scaled the heights to sit among history’s legendary interpreters of Schubert and Beethoven. This concert provides a rare, first-hand opportunity to experience his deeply moving account of Beethoven’s final three piano sonatas.

Program

BEETHOVEN:  Sonata No. 30 in E major, Op. 109 

   Sonata No. 31 in A flat major, Op. 110

   Sonata No. 32 in C minor, Op. 111

Series Sponsor:

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Concert Sponsor:

Elaine Adair

 

Supported by:

City Van-01

 

Brahms Festival: A Chamber Music Celebration

The Brahms Festival features performances by:

Jersualem Quartet
Inon Barnatan, piano
Hsin-Yun Huang, viola
Sharon Kam, clarinet

Presented by the Vancouver Recital Society and The Friends of Chamber Music

One of three sizzling evenings of some of Brahms’ most prized chamber music works performed by world-renowned musicians and Vancouver favourites. We are thrilled to bring these musicians together to inspire and delight lovers of chamber music.

The Brahms Festival is generously sponsored by Allison Hart, Lynn Kagan, and Richard and Lynda Spratley.

Friday March 21 Program

String Quartet in B flat major, Op. 67

Sonata for violin and piano in D minor, Op. 108

–intermission–

Quintet for piano and strings in F minor, Op. 34

View other performances in the Brahms Festival

Wednesday, March 19

Thursday, March 20

Links

Learn more about The Jerusalem Quartet.
Learn more about Inon Barnatan.
Learn more about Sharon Kam.
Learn more about Hsin-Yun Huang.

Pricing

Brahms Festival is on sale now as an add on to subscription packages only.

Purchase all 3 evenings of the Brahms Festival WITH any series subscription…………………..$99

Purchase all 3 evenings of the Brahms Festival WITHOUT any addition series subscription.. $115

Add on a single ticket to any Brahms Festival performance……………………………………………$48

 

Brahms Festival: A Chamber Music Celebration

The Brahms Festival features performances by:

Jersualem Quartet
Inon Barnatan, piano
Hsin-Yun Huang, viola
Sharon Kam, clarinet

Presented by the Vancouver Recital Society and The Friends of Chamber Music

One of three sizzling evenings of some of Brahms’ most prized chamber music works performed by world-renowned musicians and Vancouver favourites. We are thrilled to bring these musicians together to inspire and delight lovers of chamber music.

The Brahms Festival is generously sponsored by Allison Hart, Lynn Kagan, and Richard and Lynda Spratley.

Thursday March 20 Program

String Quartet in A minor, Op. 51, no. 2

Sonata for cello and piano in E minor, Op. 38

–intermission–

Quintet for strings in G major, Op. 111

View other performances in the Brahms Festival

Wednesday, March 19

Friday, March 21

Links

Learn more about The Jerusalem Quartet.
Learn more about Inon Barnatan.
Learn more about Sharon Kam.
Learn more about Hsin-Yun Huang.

Pricing

Brahms Festival is on sale now as an add on to subscription packages only.

Purchase all 3 evenings of the Brahms Festival WITH any series subscription…………………..$99

Purchase all 3 evenings of the Brahms Festival WITHOUT any addition series subscription.. $115

Add on a single ticket to any Brahms Festival performance……………………………………………$48


The Brahms Festival is generously sponsored by Allison Hart, Lynn Kagan, and Richard and Lynda Spratley.

 

Brahms Festival: A Chamber Music Celebration

Brahms Festival features performances by:

Jersualem Quartet
Inon Barnatan, piano
Hsin-Yun Huang, viola
Sharon Kam, clarinet

Presented by the Vancouver Recital Society and The Friends of Chamber Music

One of three sizzling evenings of some of Brahms’ most prized chamber music works performed by world-renowned musicians and Vancouver favourites. We are thrilled to bring these musicians together to inspire and delight lovers of chamber music.

The Brahms Festival is generously sponsored by Allison Hart, Lynn Kagan, and Richard and Lynda Spratley.

Wednesday March 19 Program

String Quartet in C minor, Op. 51, No. 1

Sonata for viola and piano in E flat major, Op. 120, no. 2

–intermission–

Quintet for clarinet and strings in B minor, Op. 115

View other performances in the Brahms Festival

Thursday, March 20

Friday, March 21

Links

Learn more about The Jerusalem Quartet.
Learn more about Inon Barnatan.
Learn more about Sharon Kam.
Learn more about Hsin-Yun Huang.

Pricing

Brahms Festival is on sale now as an add on to subscription packages only.

Purchase all 3 evenings of the Brahms Festival WITH any series subscription…………………..$99

Purchase all 3 evenings of the Brahms Festival WITHOUT any addition series subscription.. $115

Add on a single ticket to any Brahms Festival performance……………………………………………$48


The Brahms Festival is generously sponsored by Allison Hart, Lynn Kagan, and Richard and Lynda Spratley.

 

The Silk Road Ensemble

Weaving together the legacies of traditional and contemporary musical ideas with searing spontaneity and superb craftsmanship, The Silk Road Ensemble offers an East-meets-West multicultural feast for the senses. With a totally unique and energetic flare, this collective of musicians, drawn from a group of 60 distinguished performers and composers from over 20 countries, performs with the central purpose to share and celebrate the music of the world.

“To see the ensemble live is to see music-making the way it ought to be: collaborative, earnest, and, above all, joyful. In a word: delectable.” -The Georgia Straight

http://youtu.be/UvLQP5M4Vs8

Program

Silk Road Suite
Caronte (Cristina Pato)
Saidi Swing (Shane Shanahan)
Arabian Waltz (Rabih Abou-Khalil, arr. Ljova)

Atashgah (Colin Jacobsen)
Commissioned by the Laguna Beach Music Festival for Kayhan Kalhor and Brooklyn Rider and premiered in 2011.

Celtíbera (Mike Block and Cristina Pato)

Empty Mountain Spirit Rain (Angel Lam)
Commissioned by Carnegie Hall through The Weill Music Institute in partnership with the Silk Road Project, Inc. The world premiere was given at Carnegie Hall, New York City on September 16, 2006.

Jugalbandi (Sandeep Das and Kayhan Kalhor)

Suite from ‘Book of Angels’ (John Zorn, arr. Silk Road Ensemble)
Arrangements commissioned by the Silk Road Project

Links

Learn more about The Silk Road Project.

Biography

The Silk Road Ensemble draws together distinguished performers and composers from more than 20 countries in Asia, Europe and the Americas. Since the Ensemble formed under the artistic direction of Yo-Yo Ma in 2000, these innovative artists have eagerly explored contemporary musical crossroads.

Their approach is experimental and democratic, founded on collaboration and risk taking, on continual learning and sharing. Members explore and celebrate the multiplicity of approaches to music from around the world. They also develop new repertoire that responds to the multicultural reality of our global society.

The Silk Road Ensemble has performed to critical acclaim throughout Asia, Europe and North America and has  recorded five albums. The most recent, Off the Map, was nominated for a Grammy Award in 2011.


This performance is generously supported by

 

 

Concert Print Media Sponsor

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Yo-Yo Ma

CONCERT SOLD OUT

As one of the most treasured artists of our time, Yo-Yo Ma’s name is synonymous with musical excellence and profound passion. Ma’s multifaceted career and enduring popularity testify to his continual search for new ways to connect with audiences, and to his personal desire for artistic growth and renewal.

He returns to the Orpheum stage with his collaborator of 25 years, pianist Kathryn Stott. An extraordinarily interesting and incisive interpreter in her own right, Ms. Stott is widely recognized as one of Britain’s most versatile and imaginative musicians.

Ma and Stott share a natural rapport for making masterful musical connections that stimulate the imagination and stir the soul.

“Stott’s and Ma’s joint presence on stage offered the thousand some listeners an unaccustomed opportunity to set aside oft times distracting star parameters and simply witness shared music-making. Exemplary concert energy like this is as seductive as it is uncommon.” –Boston Musical Intelligencer

Program


Igor Stravinsky
Suite Italienne Introduzione Serenata
 Aria
 Tarantella Minuetto e finale

Three Pieces
Heitor Villa-Lobos
Alma Brasileira  arr. Jorge Calandrelli
Ástor Piazzolla
Oblivion  arr. Kyoko Yamamoto
Camargo Guarnieri
Dansa Negra  arr. Jorge Calandrelli

Manuel de Falla
7 Canciones Populares Españolas, G. 40
El Paño Moruno
Seguidilla muricana
Asturiana
Jota
Nana
Canción
Polo

Olivier Messiaen
Louange à l’Éternité de Jésus from Quatour pour la fin du temps

Cesar Franck
Sonata in A Major for Violin and Piano
Allegretto; Moderato
Allegro
Recitativo – Fantasia
Allegretto poco mosso

 

Links

Learn more about Yo-Yo Ma.

Learn more about Kathryn Stott.

Yo-Yo Ma Biography

The many-faceted career of cellist Yo-Yo Ma is testament to his continual search for new ways to communicate with audiences and to his personal desire for artistic growth and renewal.  Mr. Ma maintains a balance between his engagements as soloist with orchestras worldwide and his recital and chamber music activities.  His discography includes over 75 albums, including more than 15 Grammy award winners.

Mr. Ma serves as the Artistic Director of the Silk Road Project, an organization he founded to promote the study of cultural, artistic and intellectual traditions along the ancient Silk Road trade routes.  Since the Project’s inception, more than 60 works have been commissioned specifically for the Silk Road Ensemble, which tours annually.  Mr. Ma also serves as the Judson and Joyce Green Creative Consultant to the Chicago Symphony Orchestra’s Institute for Learning, Access and Training.  His work focuses on the transformative power music can have in individuals’ lives, and on increasing the number and variety of opportunities audiences have to experience music in their communities.

Mr. Ma was born in Paris to Chinese parents who later moved the family to New York.  He began to study cello at the age of four, attended the Juilliard School and in 1976 graduated from Harvard University.  He has received numerous awards, among them the 2001 National Medal of Arts, the 2006 Sonning Prize, the 2008 World Economic Forum’s Crystal Award, the 2010 Presidential Medal of Freedom, the 2011 Kennedy Center Honors, and the 2012 Polar Music Prize.  Mr. Ma serves as a UN Messenger of Peace and as a member of the President’s Committee on the Arts & the Humanities.  He has performed for eight American presidents, most recently at the invitation of President Obama on the occasion of the 56th Inaugural Ceremony.


This performance is sponsored by
Ld-blue-2

 

 

Pinchas Zukerman

Pinchas Zukerman has remained a phenomenon in the world of music for over four decades. His musical genius, prodigious technique and unwavering artistic standards are a marvel. With an utterly inimitable tonal quality and a prolific history of glorious music making, the name Pinchas Zukerman is equally respected as violinist, violist, conductor, pedagogue and chamber musician.

Pianist Yefim Bronfman has a long and celebrated history with the VRS having performed in our very first season and numerous times since.  Today, Bronfman returns as a seasoned keyboard virtuoso whose commanding technique and exceptional lyrical gifts have distinguished him as “one of the greatest pianists alive today” (The New York Times).

It is indeed a rare opportunity to hear these two master musicians together.

“The balance between instruments was meticulously shaded from the first moments… Bronfman’s piano was an attentive but never pushy partner, providing a genial, dappled undercurrent for Zukerman’s insouciant flights.” – Chicago Classical Review

Program

Schubert
Sonatina in A minor, D. 385

Beethoven
Sonata no. 7 in C minor, Op. 30, no. 2

Brahms
Viola sonata in F minor, Op. 120, no. 1

Links

Learn more about Pinchas Zukerman.
Learn more about Yefim Bronfman.

Biography

Pinchas Zukerman

Pinchas Zukerman’s 2012-2013 season includes over 100 worldwide performances, bringing him to multiple destinations in North America, Europe and Asia. Mr. Zukerman is currently in his 14th season as Music Director of the National Arts Centre Orchestra of Ottawa.  In his fourth season as Principal Guest Conductor of the Royal Philharmonic Orchestra in London, he leads the ensemble in concerts in Switzerland, Russia and the United Kingdom. Additional orchestral engagements include the Boston, San Francisco, Cincinnati, Colorado and Kansas City Symphonies. Guest appearances with international orchestras include the Israel Philharmonic Orchestra, Maarinsky State Theatre Orchestra, Orchestre de Monte Carlo, Czech Philharmonic, Bavarian Radio Orchestra, Moscow Virtuosi, Miyazaki Festival Orchestra and the Teatro San Carlo Orchestra in Naples.  Recitals with pianist Angela Cheng take the duo to Salzburg, Prague, Philadelphia, Palm Beach, Milan, Taiwan, Madrid, Helsinki and Verbier, among others.  His chamber ensemble, the Zukerman ChamberPlayers, appears at the Ravinia and Toronto summer music festivals and later tours to Los Angeles, Phoenix, China, Japan, and throughout Europe and South America.

Over the last decade, Pinchas Zukerman has become as equally regarded a conductor as he is an instrumentalist, leading many of the world’s top ensembles in a wide variety of the orchestral repertoire’s most demanding works.  A devoted and innovative pedagogue, Mr. Zukerman chairs the Pinchas Zukerman Performance Program at the Manhattan School of Music, where he has pioneered the use of distance-learning technology in the arts. In Canada, he has established the NAC Institute for Orchestra Studies and the Summer Music Institute encompassing the Young Artists, Conductors and Composers Programs.

Born in Tel Aviv in 1948, Pinchas Zukerman came to America in 1962 where he studied at The Juilliard School with Ivan Galamian. He has been awarded the Medal of Arts, the Isaac Stern Award for Artistic Excellence and was appointed as the Rolex Mentor and Protégé Arts Initiative’s first instrumentalist mentor in the music discipline.  Pinchas Zukerman’s extensive discography contains over 100 titles, and has earned him 21 Grammy nominations and two awards.

Yefim Bronfman

Grammy Award-winning pianist Yefim (“Fima”) Bronfman is among the most talented virtuosos performing today. His commanding technique and exceptional lyrical gifts have won consistent critical acclaim and enthusiastic audiences worldwide for his solo recitals, prestigious orchestral engagements and expanding catalogue of recordings.

Mr. Bronfman’s 2012/13 season begins early with concerts with the Berlin Philharmonic conducted by Sir Simon Rattle in Berlin, Salzburg and the London Proms followed by the Tonhalle Orchestra, Zurich with David Zinman and London’s Philharmonia conducted by Tugan Sokhiev. A year-long residency with the Bayerischer Rundfunk Orchestra and long time collaborator Mariss Jansons begins in the fall and encompasses orchestral and chamber music in a broad range of repertoire. A return to Salzburg’s Easter Festival with the Dresden Staatskapelle and Christian Thielemann is planned for the spring followed by appearances with the Vienna Philharmonic and Michael Tilson Thomas in Vienna and London, subscription concerts in Spain and Germany and a spring tour with Ensemble Wien-Berlin.

In North America he works with the Metropolitan Opera Orchestra in one of their infrequent Carnegie Hall visits conducted by Fabio Luisi and returns to the orchestras in New York, Chicago, Dallas, Cincinnati, St. Louis and Montreal where he is a beloved regular. In collaboration with mezzo-soprano Magdalena Kožená he will make a short winter tour including New York’s Carnegie Hall and in solo recital he can be heard in Los Angeles, Seattle, Denver, Atlanta as well as the great halls of Paris, Berlin, and Lisbon. The 2011/12 US season began with the Chicago Symphony’s opening Gala conducted by Ricardo Muti followed by a residency with the Cleveland Orchestra in Miami and Cleveland focusing on the concerti and chamber music of Brahms. A recital tour in winter culminated with Carnegie Hall followed by the world premiere of Magnus Lindberg’s concerto commissioned for him by the New York Philharmonic with whom he toured the west coast in the spring. In Europe he completed a two-season project of the three Bartók concerti with the Philharmonia Orchestra and Esa-Pekka Salonen in London, Spain, Brussels and gave recitals in Amsterdam, Vienna, Frankfurt, Milan and Lucerne. In partnership with Emmanuel Pahud he visited Spain, Turkey, Denmark and London where he returned in the spring with the London Symphony Orchestra conducted by Michael Tilson Thomas followed by a tour with the Bayerischer Rundfunk Orchestra and Esa-Pekka Salonen. Mr. Bronfman works regularly with an illustrious group of conductors, including Daniel Barenboim, Herbert Blomstedt, Christoph von Dohnányi, Charles Dutoit, Christoph Eschenbach, Valery Gergiev, Mariss Jansons, Lorin Maazel, Kurt Masur, Zubin Mehta, Esa-Pekka Salonen, Yuri Temirkanov, Franz Welser-Möst, and David Zinman. Summer engagements have regularly taken him to the major festivals of Europe and the US.

He has also given numerous solo recitals in the leading halls of North America, Europe and the Far East, including acclaimed debuts at Carnegie Hall in 1989 and Avery Fisher Hall in 1993. In 1991 he gave a series of joint recitals with Isaac Stern in Russia, marking Mr. Bronfman’s first public performances there since his emigration to Israel at age 15. That same year he was awarded the prestigious Avery Fisher Prize, one of the highest honors given to American instrumentalists. In 2010 he was honored as the recipient of the Jean Gimbel Lane prize in piano performance from Northwestern University.

Widely praised for his solo, chamber and orchestral recordings, he was nominated for a GRAMMY® Award in 2009 for his Deutsche Grammophon recording of Esa-Pekka Salonen’s piano concerto with Salonen conducting and with whom he won a GRAMMY® Award in 1997 for his recording of the three Bartók Piano Concerti and the Los Angeles Philharmonic. Most recently his performance of Beethoven’s fifth piano concerto with Andris Nelsons and the Royal Concertgebouw Orchestra from the 2011 Lucerne Festival is now available on DVD, with his performance of Rachmaninoff’s third concerto with the Berlin Philharmonic and Sir Simon Rattle already available on the EuroArts label. His most recent CD releases are Tchaikovsky’s Piano Concerto No.1 with Mariss Jansons and the Bayerischer Rundfunk, a recital disc, ‘Perspectives’, complementing Mr. Bronfman’s designation as a Carnegie Hall ‘Perspectives’ artist for the 2007-08 season, and recordings of all the Beethoven piano concerti as well as the Triple Concerto together with violinist Gil Shaham, cellist Truls Mørk, and the Tönhalle Orchestra Zürich under David Zinman for the Arte Nova/BMG label.

Born in Tashkent in the Soviet Union on 10 April 1958, Yefim Bronfman immigrated to Israel with his family in 1973, where he studied with pianist Arie Vardi, head of the Rubin Academy of Music at Tel Aviv University. In the United States, he studied at The Juilliard School, Marlboro and the Curtis Institute, and with Rudolf Firkusny, Leon Fleisher and Rudolf Serkin.

Yefim Bronfman became an American citizen in July 1989.


This performance is sponsored by the Martha Lou Henley Charitable Foundation.

In association with
Series co-presenters 12-13

 

 

 

 

Avi Avital

Recognized by The New York Times for his “exquisitely sensitive playing” and “stunning agility,” GRAMMY-nominated Avi Avital has emerged as one of today’s most exciting and entrepreneurial young musicians. Deeply committed to building a fresh legacy for the mandolin through virtuosic performances and exciting new repertoire, Avital will open your ears and imagination with an entirely new experience.

“Avital was electrifying to watch and hear… [He] takes the listener to the brink of wildest expectation and then leaps over those boundaries.” – Boston Musical Intelligencer

Program

Avi Avital
Kedma

J. S. Bach
Partita in D minor no. 2, BWV 1004
Allemande – Courante – Sarabande – Gigue – Chaconne

Yasuo Kuwahara
“Improvised Poem” for mandolin solo

Maurice Ravel
Vocalise-étude en forme de Habanera

Manuel de Falla
“Siete Canciones Populares Españolas”
El Paño Moruno, Seguidilla murciana, Asturiana, Jota, Canción, Nana, Polo

Béla Bartók
Romanian Folk Dances
Jocul cu bâtă (Stick Dance)
Brâul (Sash Dance)
Pe loc (In One Spot)
Buciumeana (Dance from Bucsum)
Poarga Românească (Romanian Polka)
Mărunel (Fast Dance)

Links

Learn more about Avi Avital.

Biography

Recognized by The New York Times for his “exquisitely sensitive playing” and “stunning agility,” GRAMMY nominated mandolinist Avi Avital is one of the world’s most exciting and entrepreneurial young musicians. He is deeply committed to building a fresh legacy for the mandolin through virtuosic performance and exciting new repertoire. Haaretz Daily has described Mr. Avital’s playing as “everything you never dreamt a mandolin could do…truly breathtaking in virtuosity and dedication.”

An exclusive Deutsche Grammophon recording artist, Avi Avital is the first mandolin player to receive a Grammy nomination in the category “Best Instrumental Soloist” for his recording of Avner Dorman’s Mandolin Concerto with Andrew Cyr and the Metropolis Ensemble. In June 2012, Mr. Avital released his first recording for Deutsche Grammophon entitled BACH – a disc of harpsichord and violin concerti, arranged for mandolin (“Avi Avital’s brand-new version of familiar Bach compositions is downright radical.” – The Denver Post). He received Germany’s coveted ECHO Prize for his 2008 recording with the David Orlowsky Trio and is a former winner of the Aviv Competition, the preeminent national competition for Israeli soloists. Mr. Avital has released numerous recordings in the disparate genres of klezmer, baroque, and new classical music for the Deutsche Grammophon, Sony Classical BMG, and Naxos labels. His recordings and live performances have been broadcast on radio stations around the world, including Boston’s WGBH, New York’s WQXR and on nationally syndicated NPR programs such as All Things Considered. He has also performed live for NPR’s Tiny Desk Concert series and WQXR’s Café Concert series.

In support of his latest Bach release in June, Mr. Avital embarked on a four-city tour of the northeast United States, performing at Boston’s Lily Pad, Washington D.C.’s Sixth & I, Philadelphia’s Tin Angel and New York City’s Barbès and Le Poisson Rouge. He was part of Deutsche Grammophon’s first Yellow Lounge presentation in the U.S. and performed at the Universal Music presentation meeting for iTunes in Cupertino, CA. Additional engagements during the 2012-2013 season include performances with the Colorado Symphony playing Avner Dorman’s Mandolin Concerto and the San Diego Symphony with the world premiere performance of a work by David Bruce. He is in residency for the Alaska Center for the Performing Arts and plays chamber music with The Avital Trio (mandolin, harp, guitar) at Molloy College in Long Island, the Illuminations series in New York City and at Barbès in Brooklyn.

Avi Avital is internationally regarded for his performances at venues including Carnegie Hall and Lincoln Center in New York, Berlin Philharmonic Hall, KKL Luzern, Forbidden City Concert Hall in Beijing and Wigmore Hall in London. He has appeared as soloist with the Israel Philharmonic Orchestra, I Pomeriggi Musicali di Milano, San Francisco Chamber Orchestra and Berliner Symphoniker under the batons of Mstislav Rostropovich, Sir Simon Rattle and Philippe Entremont, among others. Mr. Avital has collaborated extensively with artists such as clarinetist Giora Feidman, soprano Dawn Upshaw, and trumpeter and composer Frank London. He has also been featured at the Tanglewood, Luzern, Spoleto, and Ravenna summer music festivals.

In 2012, Mr. Avital joined the Silk Road Project workshop to collaborate on a new work by composer David Bruce. He is presently working with violinist Ittai Shapira on a commission by Ariel Blumenthal in memory of journalist Daniel Pearl as well as an interactive video arts project in collaboration with Euroarts, highlighting Venetian music of the 17th century.

Avi Avital is a graduate of the Jerusalem Music Academy and the Conservatorio Cesare Pollini of Padova, Italy. He lives in Berlin.

 

Beatrice Rana

In 2011, at the age of 18, Beatrice Rana won the Montreal International Piano Competition, making her the youngest winner ever. She stood head and shoulders above all the other contestants and now Rana’s star is rising in the international music world: she has aroused admiration from concert presenters, conductors, critics and audiences alike.

“From the moment she sat down at the piano during the first round of the competition, Rana sent chills through the room.”La Scena Musicale

Program

Schumann
Abegg Variations
Symphonic Etudes Op. 13

Chopin
24 Preludes, Op. 28

Links

Learn more about Beatrice Rana

Biography

Though she is barely 20 years old, Beatrice is already a guest of prestigious concert series and festivals throughout the world, such as Zurich’s Tonhalle, London’s Wigmore Hall, La Roque d’Anthéron international piano festival, Radio-France Festival in Montpellier, Lanaudière Festival in Montreal, the Vancouver Recital Society, Domaine Forget in Quebec, La Folle Journée Festival in Nantes, Busoni Festival in Bolzano, Milan’s Società dei Concerti. As a soloist she has been invited to perform with the Orchestra Internazionale d’Italia, the Kuala Lumpur Philharmonic Orchestra, the Aarhus Symfoniorkester, the Südwestdeutsche Philharmonie Konstanz, the Edmonton Symphony Orchestra, the Winnipeg Symphony Orchestra, the Saskatoon Symphony Orchestra, the Orchestre de Pau Pays de Bearn in France, Fabien Gabel’s Quebec Symphony Orchestra  and Yannick Nézet-Seguin’s Orchestre Métropolitain de Montréal.

In June 2011, at only 18, Beatrice Rana won First Prize at the Montreal International Music Competition and thus became one of its youngest winner ever. Beatrice Rana also won all the other special prizes. A recipient of an impressive number of first prizes in national and international piano competitions, such as “Muzio Clementi” Competition, “International Piano Competition of the Republic of San Marino” and “Bang&Olufsen PianoRAMA Competition”, Beatrice was selected in 2010 among 60 participants as one of the six pianists allowed to take part in the  “Arturo Benedetti Michelangeli Prize” where she has attended a prestigious masterclass with Arie Vardi and performed a recital. She now studies with Arie Verdi in Hannover.

Born to a family of musicians in 1993, Beatrice Rana made her debuts as a soloist with orchestra at the age of 9, performing Bach Concerto in F minor. Beatrice began her musical studies at four and achieved her Piano Degree at the age of sixteen with top marks, laude and honorable mention under the guidance of Benedetto Lupo at the Nino Rota Conservatory of Music in Monopoli, where she also studied composition with Marco della Sciucca. During her studies, she was awarded at the age of twelve the prestigious scholarship of the Italian Ministry of Education, University and Research for her great and very precocious musical talent. At the same time she attended masterclasses in Italy, France and United States with artists such as M. Beroff, A. Ciccolini, A. Jasinski, F. J. Thioillier, E. Virsaladze.


This performance is sponsored by the John C. Kerr Family Foundation.

 

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