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Wolfgang Amadeus Mozart Piano Trio No. 1 in B-flat Major K 502 The piano trio developed out of the ‘accompanied’ keyboard sonata, a makeshift compositional genre that attempted to compensate for the weak ‘tinkly’ tone of the early fortepiano (forerunner … Continue reading
Alban Berg Sonata Op. 1 The tonal system in use throughout the 18th and 19th centuries, from Bach to Tchaikovsky, was predicated on the understanding that pieces would be in a home key – from which they would depart, and to … Continue reading
Luigi Boccherini Sonata in A major G 4 Luigi Boccherini was perhaps the greatest cellist of the 18th century, and like his compatriot of a previous generation, Domenico Scarlatti, he spent the most active portion of his professional life at … Continue reading
Domenico Scarlatti Sonata in B minor K 197 Sonata in G major K 455 “Probably one of the most outrageously individual compositional outputs of the Baroque era is to be found in the keyboard sonatas of Domenico Scarlatti,” writes Yevgeny … Continue reading
Franz SchubertString Quartet No. 14 in D minor (“Death & the Maiden”) Schubert’s “Death and the Maiden” string quartet is a sombre work, with all four of its movements set in a minor key. It takes its name from the … Continue reading
Franz Joseph Haydn Sonata in E minor Hob. XVI:34 It is unusual to encounter a sonata in a minor key from “Papa” Haydn, a composer best known for his chipper disposition. But his Sonata in E minor likely dates from … Continue reading
Ludwig van Beethoven String Quartet in C minor Op. 18 No. 4 In the Napoleonic era, when a Viennese aristocrat was thinking of entertaining friends at home, he might pop down to the local shop to pick up a six-pack—of … Continue reading
Ludwig van Beethoven Sonata A flat major Op. 110 Beethoven’s penultimate piano sonata is remarkable for the utter simplicity of its musical ideas and the directness with which they are expressed. The most obvious late-period features of this work are … Continue reading
Richard Wagner Isolde’s Liebestod arr. Franz Liszt The 19th century in Europe was an age in which psychological states went mainstream in the arts, becoming a particularly powerful stimulus for musical expression. A new genre, the nocturne, for example, captured … Continue reading
NOTICE OF ANNUAL GENERAL MEETING OF MEMBERS OF THE VANCOUVER RECITAL SOCIETY (the “Society”) The Board of Directors of the Society hereby gives notice that the Annual General Meeting of the Society will be held on Sunday, February 10, 2019 at … Continue reading
