Franz Joseph Haydn Sonata in B-flat Major, Hob. XVI:41 In 1784 Haydn wrote three keyboard sonatas for Princess Marie, the new bride of Prince Nicholas Esterházy, grandson of Haydn’s employer Prince Nicholas I. Each is a two- movement work, without … Continue reading
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Program Notes: Apollon Musagète Quartet
Posted onLudwig van Beethoven String Quartet in D major, Op. 18 No. 3 In the Napoleonic era, when a Viennese aristocrat was thinking of entertaining friends at home, he might pop down to the local shop to pick up a six-pack—a … Continue reading
Program Notes: Leif Ove Andsnes
Posted onJean Sibelius Kyllikki, Three Lyric Pieces for Piano Op. 41 Finland’s national composer, Jean Sibelius, has earned an honoured place in the modern canon chiefly on the merits of his orchestral works, notably his seven symphonies, the Violin Concerto, and … Continue reading
Program Notes: Arcanto Quartet
Posted onThis evening the Arcanto Quartet offers us a chance to explore chamber music from the end of the 17th century to the recent past, sampling music for four players by Henry Purcell (1659–95), Ludwig van Beethoven (1770–1827), and Benjamin Britten … Continue reading
Program Notes: Caroline Goulding & Wenwen Du
Posted onJohann Sebastian Bach Sonata in A major, BWV 1015 Before taking up his post as Cantor of the Thomaskirche in Leipzig in 1723, Bach served as Kapellmeister to Prince Leopold of Anhalt-Köthen (1694-1728). The young Prince was of the Calvinist … Continue reading
Program Notes: Raphaël Sévère & Paul Montag
Posted onAlexander Borodin Sonata for Cello and Piano in B Minor (adapted for clarinet & piano by Raphaël Sévère) The role of the noisy neighbour in music history is an unjustly neglected theme for research but well worth considering in the … Continue reading
Program Notes: Jeremy Denk
Posted onJohann Sebastian Bach English Suite No. 3 in G Minor, BWV 808 Bach’s keyboard suites are a remarkable amalgam of the florid keyboard idiom of the French, the lyrical gift for vocal melody of the Italians, and the sober contrapuntal … Continue reading
Program notes: Maximilian Hornung & Benjamin Engeli
Posted onRobert Schumann Fünf Stücke im Volkston, Op. 102 Long before Martha Stewart made middle-class home furnishings a “thing,” the Biedermeier period (1815-1848) ushered in a bourgeois age of cozy home interiors that celebrated domestic family life and gave music a … Continue reading
Program notes: Paul Lewis
Posted onBeethoven’s Late Piano Sonatas If ever a composer were to be remembered as going out swinging, that composer would be Beethoven. As ‘sunset’ periods go, the blaze of glory that the late piano sonatas and quartets, the Diabelli Variations, the … Continue reading
Program notes: Ian Bostridge & Wenwen Du
Posted onFranz Schubert Winterreise It is a fact of musical life that there are commonly accepted ‘right’ ways (and even more ‘wrong’ ways) of performing the great works of past. These works arrive on our music stands embedded with notions of ‘stylistic … Continue reading