Category: 21-22 Season

  • NOTICE OF THE VANCOUVER RECITAL SOCIETY’S AGM

    NOTICE OF THE VANCOUVER RECITAL SOCIETY’S AGM

    The Board of Directors of the Vancouver Recital Society hereby gives notice that the Annual General meeting of the Society will be held online, via ZOOM (details below) on the 16th day of February, 2023 at 5pm for the following purposes: To receive the report of the directors to the members. To receive the financial…

  • PROGRAM NOTES: GOLDA SCHULTZ

    PROGRAM NOTES: GOLDA SCHULTZ

    Clara Schumann Liebst du um Schönheit | Warum willst du andre frage | Am Strande | Lorelei Clara Schumann (née Wieck) was a major figure in nineteenth-century music. As a child prodigy, she toured Europe with her father and teacher Friedrick Wieck, meeting Goethe in Weimar and Paganini in Paris. After her marriage to Robert…

  • PROGRAM NOTES: STEVEN OSBORNE

    PROGRAM NOTES: STEVEN OSBORNE

    Franz Schubert Impromptu No. 1 in F minor  D. 935 The impromptu is just one of a number of small-scale instrumental genres arising in the early 19th century, known under the collective title of character pieces. Cultivated by composers in the emerging Romantic movement, these pieces presented a simple musical idea in an intimate lyrical…

  • PROGRAM NOTES: DANIEL HSU

    PROGRAM NOTES: DANIEL HSU

    Robert Schumann Kinderszenen  Op. 15 The character piece, a short work expressing a single mood or illustrating an idea suggested by its titling, was a typical product of the Romantic era, and Robert Schumann was a major contributor to the genre. In 1838 he composed 30 such works, publishing 13 of them in a collection…

  • PROGRAM NOTES: JERUSALEM QUARTET AND HILA BAGGIO

    PROGRAM NOTES: JERUSALEM QUARTET AND HILA BAGGIO

    Yiddish – A new viewpoint When we were approached by harmonia mundi to think of a concept for a ‘different’ album, an album that would challenge our standard repertoire, we took great care to find a subject that we had a natural connection with, but that would be interesting for the general public. Naturally we…

  • PROGRAM NOTES: NICOLAS ALTSTAEDT

    PROGRAM NOTES: NICOLAS ALTSTAEDT

    Henri Dutilleux Trois strophes sur le nom de Sacher Swiss conductor Paul Sacher (1906-1999), founder of the Basel Chamber Orchestra, was an immensely important figure in 20th-century music. With a family fortune based on a controlling share of the Hoffman-LaRoche pharmaceutical empire, he commissioned works from some of the century’s greatest composers. These commissioned works…

  • PROGRAM NOTES: EVGENY KISSIN

    PROGRAM NOTES: EVGENY KISSIN

    Johann Sebastian Bach Toccata and Fugue in D minor  BWV 565 (arr. Tausig) While keyboard transcription and political debate might at first blush seem to be radically different fields of endeavour, one justly famous incident on American television stands emblematic of the risks run, in both disciplines, for those who would engage in rhetorical posturing.…

  • PROGRAM NOTES: DANISH STRING QUARTET II

    PROGRAM NOTES: DANISH STRING QUARTET II

    Franz Schubert String Quartet No. 14 in D minor D. 810 (Death and the Maiden) Schubert’s “Death and the Maiden” string quartet is a sombre work, with all four of its movements set in a minor key. It takes its name from the composer’s lied Der Tod und das Mädchen (1817) that provides the theme for…

  • COVID-19 SAFETY PROTOCOLS AT VRS CONCERTS

    COVID-19 SAFETY PROTOCOLS AT VRS CONCERTS

    As of April 8, 2022 many of B.C.’s safety restrictions have been eased. Learn more by visiting BC’s Restart plan. The measures below will remain in place until further notice. A BC Vaccine card is no longer required to enter the venues at which we present. If you are feeling unwell, we respectfully ask that you…

  • PROGRAM NOTES: STEPHEN WAARTS

    PROGRAM NOTES: STEPHEN WAARTS

    Claude Debussy Sonata for Violin and Piano in G minor  L. 140 The sound of Debussy’s music confounded many of his contemporaries. From a tonal point of view, it floated in stasis in a world of pastel sounds that arrived at their destination more by whim than by design. How, they asked, could what he…