Author: VRS
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PROGRAM NOTES: RODION POGOSSOV
Alessandro Stradella: “Pietà, Signore” Orphaned at the age of eleven, Alessandro Stradella went on to lead one of the most colourful lives of any composer who ever lived. He was involved in Mafiaesque schemes, had a reputation for womanizing, got himself wounded by pursuing avengers, and was eventually murdered. In between all this he found…
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AN INTERVIEW WITH FLORIAN BOESCH
Thank you for taking time out of your busy schedule. How did the New Year start for you? The New Year started with a Messiah concert in Zurich and then 5 days skiing with the kids and friends in Vorarlberg. That‘s a very good start! Who are the great influences in your life and in…
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RU35: RECITALS UNDER 35
Looking for a way to experience heart-stopping classical music recitals without breaking the bank? RU35, or Recitals Under 35, is the Vancouver Recital Society’s new program for discerning young Vancouverites between the ages of 18 and 35. RU35 tickets for all recitals are only $18, a savings of up to 75%. As one of the…
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PROGRAM NOTES: FLORIAN BOESCH
A recital of Lieder set exclusively to poems of Heinrich Heine and composed solely by Schubert and Schumann is particularly apt inasmuch as Heine was born the same year as Schubert (1797) and died the same year as Schumann (1856). He was not only one of Germany’s leading romantic authors, he also wrote about travel,…
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WHAT TO EXPECT: TINE THING HELSETH
We are looking forward to presenting Tine Thing Helseth in her Vancouver debut this coming Sunday. Tine (pronounced Tin-eh) will be accompanied by pianist Håvard Gimse, and together they will perform the Canadian premiere of a new work for solo trumpet by Norwegian composer Rolf Wallin. Also featured in the recital program: Bohuslav Martinů’s Sonatina for…
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PROGRAM NOTES: TINE THING HELSETH
Tine Thing Helseth, trumpet Havard Gimse, piano Next Generation Series at The Vancouver Playhouse Sunday, February 5, 2012 Bohuslav Martinů: Sonatina for Trumpet and Piano Bohuslav Martinů followed in the footsteps of his compatriots Dvořák, Smetana, Janáček and Suk in the incorporation of elements from Bohemian and Moravian folk music into his works. Martinů was…
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THE ONE WHO GOT AWAY
For a good many years I have been an ardent fan of the wonderful German bass-baritone, Thomas Quasthoff. I had the good fortune to hear him in recital at the Wigmore Hall and remarkably, despite his 4ft height he was a towering presence on the stage. He was a “thalidomide baby” who soared above his…
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PROGRAM NOTES: KHATIA BUNIATISHVILI
Khatia Buniatishvili, piano Chan Centre for the Performing Arts Monday, January 23, 2011 Franz Joseph Haydn, piano sonata no. 33 in C minor, Hob. XVI/20 Although Haydn’s role in the development of the symphony and string quartet is secure in the minds of many people, but they are still apt to forget just how important…
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LISTENING ROOM REVEALED
Over the past few weeks we asked our readers for their favourite recordings, performers and repertoire. We received many responses. Perhaps it is not surprising that J. S. Bach ranks high with our listeners. One wrote, “I’m listening to Bach piano transcriptions performed by Dinu Lipatti, Yvonne Lefebure, Egon Petri, Solomon, Myra Hess, and Wilhelm…
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PROGRAM NOTES: GEORGE LI
George Li Program Notes Performance: Vancouver Playhouse, Sunday, December 4, 2011 Carl Czerny Variations on a Theme by Rode, Op. 33 (“La Ricordanza”) Most concertgoers know Carl Czerny only as the early nineteenth-century pedagogue who churned out endless dull exercises that continue to be inflicted upon piano students this day. True, he did compose a…