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“I am composing like a god, as if it simply had to be done as it has been done.” – Franz Schubert Read more of Schubert’s illustrious words here. SPECIAL TICKET OFFER! As part of the #VRSchubert campaign we’re … Continue reading
During the early 1820s, Schubert was part of a close-knit circle of artists and students who had social gatherings that became known as “Schubertiaden”. The tight circle of friends with which Schubert surrounded himself was dealt a blow in … Continue reading
Unlike any of the major composers who worked in Vienna during the Classical and Romantic periods, Schubert was the only one actually born in this musical capital. Joseph Haydn was born in Rohrau, Austria. Wolfgang Amadeus Mozart was born in … Continue reading
Bringing Schubert closer to young readers, Dutch author and artist Jeroen Janssen and Pieter van Oudheusden are preparing to publish a graphic novel about the last days of Franz Schubert’s life. Fighting a losing battle against death, Schubert’s final … Continue reading
Chubby and short at only 5 foot one inch, Franz Schubert had to endure the nickname “Schwammerl” or mushroom by his friends. Perhaps these attributes are the reasons for a life unlucky in love, but they are certainly not … Continue reading
In anticipation and celebration of Paul Lewis’ performance of the Late Schubert Sonatas on October Tuesday, October 23, the VRS is embarking on 23 days of tweets, Facebook and blog posts about the life and work of Franz Schubert … Continue reading
Imagine my delight when I received an email from Jonathan Chan in London, where he is studying at the Guildhall, telling me that he had been awarded the 1715 Dominicus Montagnana violin on loan from the Canada Council Musical … Continue reading
Paul Lewis performs the Late Schubert Sonatas The year of Schubert’s death, 1828, saw the birth of an extraordinary number of masterpieces from the pen of this master lyricist: the “Great” C major Symphony, the Mass in E-flat, the … Continue reading
J. S. Bach: Well-Tempered Clavier One of the monumental landmarks in the history of music, Bach’s Well-tempered Clavier (the WTC for short) has come to represent the “Old Testament” of the pianist’s repertory (Hans von Bülow) and his “daily … Continue reading
Eric Owens’ recital divides neatly into two halves – a German half and a French half, with the final song a true rarity that bridges the geographical and cultural divide. The German songs (Lieder) all tend to be of a … Continue reading
