Author: VRS
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PROGRAM NOTES: KIRILL GERSTEIN
Johann Sebastian Bach English Suite no. 6 in D minor, BWV 811 Bach’s Partitas, English Suites and French Suites – six of each – collectively rank among the glories of the keyboard literature. Each is a four-part sequence of dance movements, all in the same key but varied by rhythm, tempo and mood: Allemande, Courante,…
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LEILA GETZ: WHY I LOVE ANDRAS SCHIFF
Yesterday I watched a video on the VRS YouTube channel featuring pianist Shai Wosner playing the concluding portion of Schumann’s “Carnaval”. I enjoyed it very much. As the video concluded, another video on the YouTube sidebar caught my eye: András Schiff playing the Andantino from Schubert’s Sonata in A Major, D959. I clicked on it…
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PROGRAM NOTES: ANDREAS BRANTELID & SHAI WOSNER
Claude Debussy: Sonata for Cello and Piano Few works of Claude Debussy (1862-1918) bear generic titles like symphony, quartet, concerto or sonata. Most have descriptive or evocative titles like Printemps, Jeux, Claire de lune, La mer, Nocturnes or Ibéria. Since chamber music tends, more than any other, to rely on the traditional forms of classical…
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SAFEGUARDING THE ARTS IN VANCOUVER
By now, many of you have heard the sad news that the Playhouse Theatre Company commenced to wind down operations as of March 10. On the preceding day, Leila and I attended the announcement, which could only be described as a wake for a departed loved-one. An unusual silence fell over the assembled group…
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PROGRAM NOTES: ELIAS STRING QUARTET
Wolfgang Amadeus Mozart: String Quartet no. 18 in A major, K. 464 This is the fifth of the six “Haydn” quartets – everyone a masterpiece – that Mozart wrote in the mid-1780s. The identification with Haydn derives from the older composer’s direct influence on his colleague in the matter of string quartet writing. Specific elements…
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MURRAY PERAHIA…REMINISCENCES
Murray Perahia first came onto my radar in 1972 when he won the Leeds International Piano Competition. I knew Murray’s playing through his recordings but didn’t have the opportunity to hear him live for the first time until 1983, when on a visit to London I was able to attend a recital he gave at…
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PROGRAM NOTES: MURRAY PERAHIA
J. S. Bach: French Suite no. 5 in G major, BWV 816 Bach’s Partitas, English Suites and French Suites – six of each – collectively rank among the glories of the keyboard literature. Each is a four-part sequence of dance movements, all in the same key but varied in rhythm, tempo and mood: Allemande, Courante,…
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PROGRAM NOTES: STEVEN OSBORNE
Ludwig van Beethoven Piano Sonata (“Moonlight”) in C sharp minor, Op.27, no.2 (Sonata quasi una Fantasia) The year 1801 marked not only the dawn of a new century, but also a significant new approach on Beethoven’s part to matters of form and structure in the piano sonata. The bold use of unusual and exotic keys,…
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AN INTERVIEW WITH RODION POGOSSOV
Thank you for taking time out of your busy schedule. Where are you today? I’m in Hamburg right now, singing my first Verdi role in the opera “Don Carlos” at the Hamburgische Staatsoper. When did you realize you wanted a career in music? I was inspired at the age of 17 by my teacher and…
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MUSIC, WHAT’S IT MEME TO ME?
Enter the Vancouver Recital Society’s RU35 Collaborative Art Project and You Could Win! Looking for a way to experience heart-stopping classical music recitals without breaking the bank? RU35, or Recitals Under 35, is the Vancouver Recital Society’s new program for discerning young Vancouverites between the ages of 18 and 35. RU35 tickets for all recitals…